What can anyone say about this? Beautiful print, some fine acting by Barrymore -- wonderfully subtle for the period in the early sequences and quite appropriately over-the-top at the end. Given the uniformly over-the-top performances he was called on to make towards the end of his career, the well-preserved Barrymore silents -- this one, his fine, generous performance in THE BELOVED ROGUE, and the sheer electricity between him and Dolores Costello in WHEN A MAN LOVES show what a fine actor he is -- those turns and his wonderful comic work in MIDNIGHT.
I have been less than impressed in the past by some of the scores offered by the Young Composers but, although a bit shaky in the earlier sequences, this one settled right down and was quite good.
I had quite forgotten this was directed by Harry Beaumont, who became my favorite MGM B director -- even though, of course, MGM didn't make B movies.
I have been less than impressed in the past by some of the scores offered by the Young Composers but, although a bit shaky in the earlier sequences, this one settled right down and was quite good.
I had quite forgotten this was directed by Harry Beaumont, who became my favorite MGM B director -- even though, of course, MGM didn't make B movies.