Daniel Plainview (Daniel Day-Lewis) is an ambitious, slimy oil tycoon who begins building up an empire in the southwest using his considerable charm, his adoptive son H.W. (Dillon Freasier/Russell Harvard), and ruthless business acumen. He descends on the town of Little Boston, California, building a huge oil derrick and enriching the town. He clashes with Eli Sunday (Paul Dano), the fanatical young preacher, develops a strained relationship with his son (who is deafened in an accident), and solidifies his empire - but at the same time begins to unravel as a person.
"There Will Be Blood" has received mountains of acclaim, as one of the best films not only of the year, but of the decade - and by some, of all time. It's easy to see why, as the film has a great deal going for it: an interesting-on-paper story, impressive direction and cinematography, and most of all, an amazing performance by Daniel Day-Lewis. But at the heart of TWBB is an emptiness, which not even the greatest performance can assuage, and that is the character of Daniel Plainview.
The film begins promisingly, with a brilliant fifteen-minute opening scene devoid of dialogue, as Plainview and his associates dig out their first oil well. The introduction to Plainview as a slippery, manipulative man is well-done, and the first two hours or so are gripping. I sat engrossed, comfortable in knowing that all of the build-up would lead somewhere great. Unfortunately, towards the end, I realized that the opposite was true; the film wasn't leading anywhere, and indeed my enjoyment of it largely ended with a painfully contrived and ridiculous anti-climax.
The movie has a number of problems in narrative structure. It doesn't have much in the way of a traditional storyline. This is not inherently a bad thing, but the detached nature of the film makes it hard to care about what goes on. The only fully developed thread is the troubled relationship between Plainview and his son H.W., whom the former views as prop to manipulate his competitors and showcase his success. And even this is dropped like a potato at the end of the film. There is also the digressive nonsense of Plainview's "brother" (Kevin J. O'Conner) which adds nothing to the film.
Another flaw is the movie's lack of context. Though it is set in the early 1900's - a turbulent time when the US government led by Theodore Roosevelt, William Taft, and Woodrow Wilson were tearing down business monopolies - there is no political or historical context beyond super-titles and a few brief mentions of Standard Oil. As the film was essentially a character study, I wasn't expecting an in-depth examination of politics and history, but a few illusions to the time period beyond "1911" flashing on the screen would have helped. The attacks on the hypocrisy of religion and big business are socialist primer material (unsurprising given the source is an Upton Sinclair novel) and bring nothing new to the table.
The basic problem of the film is in its lead, Daniel Plainview. Not in Daniel Day-Lewis, mind you, who gives one of the greatest performances in recent memory, but in the character itself. Plainview would be an interesting supporting character or villain, a slimy, manipulative man who thoroughly hates everyone besides himself. But there really isn't any depth to Plainview, and thus the film has a hollow center. He doesn't develop over the course of the story; he remains the same character throughout, a bitter, greedy misanthrope, and after awhile he becomes little more than a caricature of an evil businessman.
The main reason to see this film is Daniel Day-Lewis. While I wasn't particularly enamored of his turn as Bill the Butcher, Day-Lewis's amazing turn as Plainview almost overcomes the script's shortcomings. Day-Lewis is a fascinating premise, and the brilliance of his performance conversely accentuates the weakness of his character. If it were in aide of something better, Plainview would be the most memorable character in the last twenty years of cinema. As it stands, it's still a remarkable achievement, and if Day-Lewis doesn't win an Oscar there is no justice.
Other than Day-Lewis, the cast is non-descript. Paul Dano has received acclaim for his performance as Eli Sunday, but the role requires little more than elementary ham acting. The film's climax in particular illustrate the weakness of his performance. There are a few names in the supporting cast (Ciaran Hinds, Kevin J. O'Connor), but they remain in the background throughout. Cinematography, music and direction by Paul Thomas Anderson are all fabulous, with memorable set-pieces such as the oil explosion and the aforementioned beginning stand-out, but they do little more than cover up the weakness at the heart of the film.
"There Will Be Blood" looks like it should be a great film, but it is a deeply flawed movie with a weak central character. Nonetheless, it's worth a look, and if nothing else Day-Lewis should make it interesting.
6/10
"There Will Be Blood" has received mountains of acclaim, as one of the best films not only of the year, but of the decade - and by some, of all time. It's easy to see why, as the film has a great deal going for it: an interesting-on-paper story, impressive direction and cinematography, and most of all, an amazing performance by Daniel Day-Lewis. But at the heart of TWBB is an emptiness, which not even the greatest performance can assuage, and that is the character of Daniel Plainview.
The film begins promisingly, with a brilliant fifteen-minute opening scene devoid of dialogue, as Plainview and his associates dig out their first oil well. The introduction to Plainview as a slippery, manipulative man is well-done, and the first two hours or so are gripping. I sat engrossed, comfortable in knowing that all of the build-up would lead somewhere great. Unfortunately, towards the end, I realized that the opposite was true; the film wasn't leading anywhere, and indeed my enjoyment of it largely ended with a painfully contrived and ridiculous anti-climax.
The movie has a number of problems in narrative structure. It doesn't have much in the way of a traditional storyline. This is not inherently a bad thing, but the detached nature of the film makes it hard to care about what goes on. The only fully developed thread is the troubled relationship between Plainview and his son H.W., whom the former views as prop to manipulate his competitors and showcase his success. And even this is dropped like a potato at the end of the film. There is also the digressive nonsense of Plainview's "brother" (Kevin J. O'Conner) which adds nothing to the film.
Another flaw is the movie's lack of context. Though it is set in the early 1900's - a turbulent time when the US government led by Theodore Roosevelt, William Taft, and Woodrow Wilson were tearing down business monopolies - there is no political or historical context beyond super-titles and a few brief mentions of Standard Oil. As the film was essentially a character study, I wasn't expecting an in-depth examination of politics and history, but a few illusions to the time period beyond "1911" flashing on the screen would have helped. The attacks on the hypocrisy of religion and big business are socialist primer material (unsurprising given the source is an Upton Sinclair novel) and bring nothing new to the table.
The basic problem of the film is in its lead, Daniel Plainview. Not in Daniel Day-Lewis, mind you, who gives one of the greatest performances in recent memory, but in the character itself. Plainview would be an interesting supporting character or villain, a slimy, manipulative man who thoroughly hates everyone besides himself. But there really isn't any depth to Plainview, and thus the film has a hollow center. He doesn't develop over the course of the story; he remains the same character throughout, a bitter, greedy misanthrope, and after awhile he becomes little more than a caricature of an evil businessman.
The main reason to see this film is Daniel Day-Lewis. While I wasn't particularly enamored of his turn as Bill the Butcher, Day-Lewis's amazing turn as Plainview almost overcomes the script's shortcomings. Day-Lewis is a fascinating premise, and the brilliance of his performance conversely accentuates the weakness of his character. If it were in aide of something better, Plainview would be the most memorable character in the last twenty years of cinema. As it stands, it's still a remarkable achievement, and if Day-Lewis doesn't win an Oscar there is no justice.
Other than Day-Lewis, the cast is non-descript. Paul Dano has received acclaim for his performance as Eli Sunday, but the role requires little more than elementary ham acting. The film's climax in particular illustrate the weakness of his performance. There are a few names in the supporting cast (Ciaran Hinds, Kevin J. O'Connor), but they remain in the background throughout. Cinematography, music and direction by Paul Thomas Anderson are all fabulous, with memorable set-pieces such as the oil explosion and the aforementioned beginning stand-out, but they do little more than cover up the weakness at the heart of the film.
"There Will Be Blood" looks like it should be a great film, but it is a deeply flawed movie with a weak central character. Nonetheless, it's worth a look, and if nothing else Day-Lewis should make it interesting.
6/10