Walter Burns (Cary Grant) is a smooth (and fast)-talking, amoral newspaper reporter who will do literally anything for a story. Hildy Johnson (Rosalind Russell) is Walter's snappy ex-wife, who is threatening to retire from the newspaper business and settle down with Bruce Baldwin (Ralph Bellamy), a well-meaning, mild-mannered sap. Walter's quest to prevent Hildy from leaving the paper reaches ridiculous extremes, as death row inmate Earl Williams (John Qualen) breaks out of prison. As the police hunt Williams, Walter draws Hildy back into the business - leaving poor Bruce taking the fall for everything. It all builds, of course, to a ridiculous, over-the-top, feverish climax, as Walter and Hildy are hiding Williams from the police, the Mayor (Clarence Kolb), and, perhaps more importantly, from their fellow journalists.
"His Girl Friday" is the epitome of the screwball comedy - the genre of rapid-fire dialog and misunderstandings which snowball to gigantic proportions. And what a film it is. A fabulous cast and amazing script propel this flick to stratospheric heights. Its amazingly fast-paced jokes, lovable cynicism, fabulous cast, and overall outrageousness make for a hilarious combination. I can't think of a single comedy I've enjoyed more than this film.
The film contains an extremely cynical outlook on the world. The depiction of journalism is either flattering or damning, depending on your point of view. On the one hand, we see journalists depicted as scheming, conniving, amoral jerks, who will literally do anything to get a story - including manipulating and trampling everyone else. Walter of course devotes everything he has to winning Hildy back - including legally dubious methods - and get the big scoop, which for once may be complimentary motives. The murderer, Earl Williams, and his alleged "sweetheart" Molly are used as pawns by everyone - the journalists eager for a story, and the politicians hoping to get re-election. This isn't even to mention poor hopeless Bruce, who finds himself the butt of everything that's going on. On the other hand... can we really fault them? After all, Cary Grant and Rosalind Russel are so witty, snappy, and sexy that it's impossible to side against them. And hey, the politicians are doing it too - and who can side with the ineffectual Sheriff or the scheming Mayor, with an even more callous disregard for human life? It's a dog-eat-dog world, and when everybody is a jack-off (or a helpless loser), side with the cool guys.
Hawks' direction is marvelous; the film isn't visually astounding, although the use of shadows in the jail and courtyard scenes are effective, but his handling of the actors and story are extraordinary. Hawks and writer Charles Lederer also make a great improvement over the source material (the play "The Front Page" by Charles MacArthur and Ben Hecht) by making Hildy a woman. This seems like a minor difference at first, but it unquestionably enhances the chemistry and relationship between the two actors, making Walter's manipulation of Hildy more urgent and endearing.
All other considerations aside, you have to give His Girl Friday at least one point: This is undoubtedly THE fastest-talking movie of all time. Charles Lederer's script is filled with endless zingers, comebacks, and wit - along with amusing ad-libs (mostly by Cary Grant - you know the ones). And the actors are absolute naturals at it. This kind of humor makes modern comedies like "The 40 Year Old Virgin", "Meet the Parents", and even "The West Wing" (its closest modern counter-part) look lame in comparison.
Cary Grant is an old hand at this genre (Arsenic and Old Lace, Bringing Up Baby) and his Walter Burns is a wonderful character, obnoxious yet charming throughout. His motives would be sweet if it weren't for the situation - and the methods. Rosalind Russel matches him quip for quip as the extremely sexy "modern woman" Hildy. The whole supporting cast is fabulous. Ralph Bellamy makes the sad-sack Bruce an endearingly honest fall guy. John Qualen as the criminal and Helen Mack as his "girlfriend" contribute amusing characters, who find themselves trapped in the ridiculous webs of journalism and politics. The whole supporting cast - Gene Lockhart as the inept Sheriff, Abner Biberman as Walter's pickpocket buddy, Martha Kern as Bruce's beleaguered mother, and Porter Hall, Ernest Truex, and Cliff Edwards (among others) as journalists - are fabulous. If even one actor were off their game, this film wouldn't work - but everyone down to the extras is fabulous.
In conclusion... what more can there be to say? His Girl Friday is perhaps THE greatest comedy of all time. See it, laugh your ass off, lather, rinse, repeat. You won't regret it.
10/10
"His Girl Friday" is the epitome of the screwball comedy - the genre of rapid-fire dialog and misunderstandings which snowball to gigantic proportions. And what a film it is. A fabulous cast and amazing script propel this flick to stratospheric heights. Its amazingly fast-paced jokes, lovable cynicism, fabulous cast, and overall outrageousness make for a hilarious combination. I can't think of a single comedy I've enjoyed more than this film.
The film contains an extremely cynical outlook on the world. The depiction of journalism is either flattering or damning, depending on your point of view. On the one hand, we see journalists depicted as scheming, conniving, amoral jerks, who will literally do anything to get a story - including manipulating and trampling everyone else. Walter of course devotes everything he has to winning Hildy back - including legally dubious methods - and get the big scoop, which for once may be complimentary motives. The murderer, Earl Williams, and his alleged "sweetheart" Molly are used as pawns by everyone - the journalists eager for a story, and the politicians hoping to get re-election. This isn't even to mention poor hopeless Bruce, who finds himself the butt of everything that's going on. On the other hand... can we really fault them? After all, Cary Grant and Rosalind Russel are so witty, snappy, and sexy that it's impossible to side against them. And hey, the politicians are doing it too - and who can side with the ineffectual Sheriff or the scheming Mayor, with an even more callous disregard for human life? It's a dog-eat-dog world, and when everybody is a jack-off (or a helpless loser), side with the cool guys.
Hawks' direction is marvelous; the film isn't visually astounding, although the use of shadows in the jail and courtyard scenes are effective, but his handling of the actors and story are extraordinary. Hawks and writer Charles Lederer also make a great improvement over the source material (the play "The Front Page" by Charles MacArthur and Ben Hecht) by making Hildy a woman. This seems like a minor difference at first, but it unquestionably enhances the chemistry and relationship between the two actors, making Walter's manipulation of Hildy more urgent and endearing.
All other considerations aside, you have to give His Girl Friday at least one point: This is undoubtedly THE fastest-talking movie of all time. Charles Lederer's script is filled with endless zingers, comebacks, and wit - along with amusing ad-libs (mostly by Cary Grant - you know the ones). And the actors are absolute naturals at it. This kind of humor makes modern comedies like "The 40 Year Old Virgin", "Meet the Parents", and even "The West Wing" (its closest modern counter-part) look lame in comparison.
Cary Grant is an old hand at this genre (Arsenic and Old Lace, Bringing Up Baby) and his Walter Burns is a wonderful character, obnoxious yet charming throughout. His motives would be sweet if it weren't for the situation - and the methods. Rosalind Russel matches him quip for quip as the extremely sexy "modern woman" Hildy. The whole supporting cast is fabulous. Ralph Bellamy makes the sad-sack Bruce an endearingly honest fall guy. John Qualen as the criminal and Helen Mack as his "girlfriend" contribute amusing characters, who find themselves trapped in the ridiculous webs of journalism and politics. The whole supporting cast - Gene Lockhart as the inept Sheriff, Abner Biberman as Walter's pickpocket buddy, Martha Kern as Bruce's beleaguered mother, and Porter Hall, Ernest Truex, and Cliff Edwards (among others) as journalists - are fabulous. If even one actor were off their game, this film wouldn't work - but everyone down to the extras is fabulous.
In conclusion... what more can there be to say? His Girl Friday is perhaps THE greatest comedy of all time. See it, laugh your ass off, lather, rinse, repeat. You won't regret it.
10/10