Selected intellectual minds, and important folks deemed special for forwarding the human race once a thermonuclear war is to rage across the globe, find themselves fighting for their very lives underground in their fancy governmentally (supposedly)secure bomb shelter well equipped with all the resources they could possibly need as vampire bats, which rest within a cavernous area secret to them, enter and attack when the group is most vulnerable. With a female assigned, via taped recording, guiding their day to day activities, offering a planned regimen for them to survive on, the group find themselves at odds with Raymond Couzins, a loudmouth who often stirs up bad vibes with his constant talk of conspiracy theories, and drunken insults. Yet, perhaps there is some truth to what he's saying as Dr. Peter Macomber(Bradford Dillman)holds a secret which will only add to the worsening mental state of the group as a whole. Realizing that they were merely part of an experiment on how a group could function together in an isolated situation, had such a catastrophic event taken place, the group hope that a signal had reached Washington, for Couzins, in a bumbling mishap that damages important electrical equipment resulting in the death of a member, leaves them with few alternatives left. Major Gordon Ellis(Richard Jaeckel)comes up with a method that could be quite dangerous..someone could climb an elevator shaft 17oo feet which could open a door to the outside providing a chance for contacting help. Macomber, despite the group's hostile feelings towards he and his government which put them in their difficult crisis, comes up with an idea on how to kill the bats, through electrocution by suckering them with blood as bait.
I must say that this was a pleasant form of entertainment. Sure, the special effects are rather inferior to today's modern technical improvements, but they didn't seem to bother me all that much because I found the cast so much fun to watch, and the premise was quite enjoyable. It's essentially mixes the always-reliable "animals attack" premise with the theme of nuclear war and how mankind could deal with such a thing. Perfectly capping these elements with a government conspiracy plot yielding terrified characters in search of an exit. Perfectly 70's carrying the sensibilities of the time, with a cast of familiar faces. I thought Dillman has a startlingly good scene where he admits to who he really is and the hoax that has put them all in grave danger..I think Dillman realistically displays the emotional weight his character is bearing in both coming clean with his confession while showing that he believed that the experiment was for the betterment of mankind. I thoroughly enjoyed Cooper as the antagonist, and Jaeckel is a delight as the sincere army man, burdened with keeping the underground shelter under operation despite a series of set-backs that make that nearly impossible. I also loved this confrontation between the accusing Couzins claiming Ellis was perhaps behind a conspiracy to keep them in the shelter..Jaeckel and Cooper produce some fireworks. Some performances are overwrought, as often was the case for Made-for-television movies with character actors, but I think the situation stressing and depressing those caught between a rock and a hard place, warranted such heightened emotions. I think Woody's elevator shaft climb was quite suspenseful..it sure had me biting my nails. I do think the story provides some food for thought, and is a perfect time capsule of what was on the minds of the country at that time.
I must say that this was a pleasant form of entertainment. Sure, the special effects are rather inferior to today's modern technical improvements, but they didn't seem to bother me all that much because I found the cast so much fun to watch, and the premise was quite enjoyable. It's essentially mixes the always-reliable "animals attack" premise with the theme of nuclear war and how mankind could deal with such a thing. Perfectly capping these elements with a government conspiracy plot yielding terrified characters in search of an exit. Perfectly 70's carrying the sensibilities of the time, with a cast of familiar faces. I thought Dillman has a startlingly good scene where he admits to who he really is and the hoax that has put them all in grave danger..I think Dillman realistically displays the emotional weight his character is bearing in both coming clean with his confession while showing that he believed that the experiment was for the betterment of mankind. I thoroughly enjoyed Cooper as the antagonist, and Jaeckel is a delight as the sincere army man, burdened with keeping the underground shelter under operation despite a series of set-backs that make that nearly impossible. I also loved this confrontation between the accusing Couzins claiming Ellis was perhaps behind a conspiracy to keep them in the shelter..Jaeckel and Cooper produce some fireworks. Some performances are overwrought, as often was the case for Made-for-television movies with character actors, but I think the situation stressing and depressing those caught between a rock and a hard place, warranted such heightened emotions. I think Woody's elevator shaft climb was quite suspenseful..it sure had me biting my nails. I do think the story provides some food for thought, and is a perfect time capsule of what was on the minds of the country at that time.