THE BEAST WITH A MILLION EYES is a small brilliant no budget film. It's probably the first existential science fiction film ever made. That's all I need to say about it to explain why I like it.
This film was made before the now familiar plot-line of animals attacking humans, like THE BIRDS. In fact, this film reminds me a lot of THE BIRDS, which I think is brilliant but kudos to whoever wrote this evocative no budget wonder. The similarities between the two is really striking. Hitchcock most likely saw this film and was "inspired" by it. Even the low key near minimalistic tone is identical. The existential tone is also unique for that time and was made before TV shows like TWILIGHT ZONE or sci-fi flicks in the late 1960s or 1970s (like Russian sci-fi flicks) made these bleak sci-fi/horror/fantasy themes popular with the general public. Today, these kind of stories are common in movies or TV programs.
The B&W cinematography is at times stunning, more than this type of film usually has. Moody and very atmospheric. The sensational title makes sense because the alien uses all the animals to see and control the environment around humans, hence the million eyes. The original title was supposed to be The Unseen and it didn't have the alien part of the end and one can see what they tried to do. But the current ending doesn't destroy the film.
Just because the film has no budget, no stars, that it's basically bare-bones, doesn't mean it should be dismissed for the things it tried to do. Yes, the film is far from perfect but I admire it for what it tried to do, certainly in an era that relied too easily on cheesy stuff. It's (intentional or unintentional) low key brilliance.
This film was made before the now familiar plot-line of animals attacking humans, like THE BIRDS. In fact, this film reminds me a lot of THE BIRDS, which I think is brilliant but kudos to whoever wrote this evocative no budget wonder. The similarities between the two is really striking. Hitchcock most likely saw this film and was "inspired" by it. Even the low key near minimalistic tone is identical. The existential tone is also unique for that time and was made before TV shows like TWILIGHT ZONE or sci-fi flicks in the late 1960s or 1970s (like Russian sci-fi flicks) made these bleak sci-fi/horror/fantasy themes popular with the general public. Today, these kind of stories are common in movies or TV programs.
The B&W cinematography is at times stunning, more than this type of film usually has. Moody and very atmospheric. The sensational title makes sense because the alien uses all the animals to see and control the environment around humans, hence the million eyes. The original title was supposed to be The Unseen and it didn't have the alien part of the end and one can see what they tried to do. But the current ending doesn't destroy the film.
Just because the film has no budget, no stars, that it's basically bare-bones, doesn't mean it should be dismissed for the things it tried to do. Yes, the film is far from perfect but I admire it for what it tried to do, certainly in an era that relied too easily on cheesy stuff. It's (intentional or unintentional) low key brilliance.