This film, while not Oscar material by any means, is an enjoyable Saturday night movie. As many others have commented, the cinematography is creative and pleasant to the eye, enticing one to become a game warden in the northwest. It also has an impressive cast that does the best it can with a script that bounces around at times and is, for the most part, predictable.
The beginning of the film does a fine job of illustrating the setting of the northwest, with sweeping landscape shots that really gives the viewer an idea of vastness of the wilderness. Mountain fans will be inclined to rewind and play the aerial shots again just for the view.
Regarding the predictability of the story, there are a few surprises that keep it from being clichéd. There is also a subtlety about it that prevents it from looking like a female on a Rambo rampage. Unfortunately, this creates some lagging spots where the story must develop. Still, it does move along, recovering from those moments and jumping back into the story with both feet.
Amick's performance as Julie Clayton has some rough spots, but is otherwise enjoyable. However, the most notable performance is given by Graham Greene, as Nick Rollins, an SFPD officer with issues. The interplay between Amick and Greene is not over the top, keeping the film on an even keel. Graham's smooth delivery is what keeps the story afloat at key moments. If the movie had not been about Julie Clayton, Nick Rollins would have had his own story to tell.
One gets the feeling that WOUNDED would play well in book form, but it holds its own as a film due to its cast. Adrian Pasdar, of HEROES fame, does his best work as a voice on a phone line. He has an eerie tone that is taunting and cold. His dialogue could have used a little streamlining to increase the threat, but one could argue that it is not the character's way. Hanaghan is a very focused character, and perhaps the dialogue is that way to keep in line with that.
Overall, this film is worth picking up as a rental. It holds a viewer's interest long enough to see it through the end. Yes, there are some nitpicking points that could be made regarding the story or the actions of the characters, but that can be said of just about any film. There are no major sins against real life policies or physics that cannot be overlooked in the name of entertainment. If anything, check it out for the great wilderness shots. They are eye candy in and of themselves.
The beginning of the film does a fine job of illustrating the setting of the northwest, with sweeping landscape shots that really gives the viewer an idea of vastness of the wilderness. Mountain fans will be inclined to rewind and play the aerial shots again just for the view.
Regarding the predictability of the story, there are a few surprises that keep it from being clichéd. There is also a subtlety about it that prevents it from looking like a female on a Rambo rampage. Unfortunately, this creates some lagging spots where the story must develop. Still, it does move along, recovering from those moments and jumping back into the story with both feet.
Amick's performance as Julie Clayton has some rough spots, but is otherwise enjoyable. However, the most notable performance is given by Graham Greene, as Nick Rollins, an SFPD officer with issues. The interplay between Amick and Greene is not over the top, keeping the film on an even keel. Graham's smooth delivery is what keeps the story afloat at key moments. If the movie had not been about Julie Clayton, Nick Rollins would have had his own story to tell.
One gets the feeling that WOUNDED would play well in book form, but it holds its own as a film due to its cast. Adrian Pasdar, of HEROES fame, does his best work as a voice on a phone line. He has an eerie tone that is taunting and cold. His dialogue could have used a little streamlining to increase the threat, but one could argue that it is not the character's way. Hanaghan is a very focused character, and perhaps the dialogue is that way to keep in line with that.
Overall, this film is worth picking up as a rental. It holds a viewer's interest long enough to see it through the end. Yes, there are some nitpicking points that could be made regarding the story or the actions of the characters, but that can be said of just about any film. There are no major sins against real life policies or physics that cannot be overlooked in the name of entertainment. If anything, check it out for the great wilderness shots. They are eye candy in and of themselves.