When one director needs over 15 hours to enact a novel, it is mathematically evident that you can pack less of a tenth of that in under 90 minutes. A tour de force, a highly compressed "reader's digest" (but the novel's author Alfred Döblin also collaborated on the movie script). And also, a "Heinrich George against the rest of the world" show, if you wish.
Still, it sometimes takes a few seconds, in an otherwise tight plot, to linger on details that don't "drive" the story, but maybe that's why they stand out more in memory after watching this film. The scene where the just married couple walks from their carriage to the wedding party. Or when Reinhold drops his pen as Franz storms into his back room - that was strong cinematography in a split-second. Or the bathing scene at a lake, which has nothing to do with the personae, but offers a glimpse at a sign that proclaims triangular bathing trunks forbidden (the shape of bath-wear was indeed a hotly debated topic, up to the parliament, in 1930s' Germany).
And that scene instantly reminded me of the classic "Menschen am Sonntag" (1930, Billie Wilder, Fred Zinnemann, the Siodmak brothers and more, an early "independent" production which also features mass transit and lakeside bathing in Berlin). However, its story is harmless and relatively sweet. "Berlin - Alexanderplatz" in some way continues from there and shows deeper trouble in the big city, criminals, burglary, murder, the (not terribly strong) action of the law...
Another detail that I enjoyed: outside the courtroom, witnesses discuss: "Did you take an oath? How?" - "Oh, only worldly" (i.e. omitting the religious part). - "Ah, then it's OK".
The German Arthaus Collection/Spiegel DVD comes with an in-depth documentary on Heinrich George's life, from communist to Nazi supporter to Soviet prisoner, with interviews with his two sons (Jan and Götz George), which I also found very worth watching.
Still, it sometimes takes a few seconds, in an otherwise tight plot, to linger on details that don't "drive" the story, but maybe that's why they stand out more in memory after watching this film. The scene where the just married couple walks from their carriage to the wedding party. Or when Reinhold drops his pen as Franz storms into his back room - that was strong cinematography in a split-second. Or the bathing scene at a lake, which has nothing to do with the personae, but offers a glimpse at a sign that proclaims triangular bathing trunks forbidden (the shape of bath-wear was indeed a hotly debated topic, up to the parliament, in 1930s' Germany).
And that scene instantly reminded me of the classic "Menschen am Sonntag" (1930, Billie Wilder, Fred Zinnemann, the Siodmak brothers and more, an early "independent" production which also features mass transit and lakeside bathing in Berlin). However, its story is harmless and relatively sweet. "Berlin - Alexanderplatz" in some way continues from there and shows deeper trouble in the big city, criminals, burglary, murder, the (not terribly strong) action of the law...
Another detail that I enjoyed: outside the courtroom, witnesses discuss: "Did you take an oath? How?" - "Oh, only worldly" (i.e. omitting the religious part). - "Ah, then it's OK".
The German Arthaus Collection/Spiegel DVD comes with an in-depth documentary on Heinrich George's life, from communist to Nazi supporter to Soviet prisoner, with interviews with his two sons (Jan and Götz George), which I also found very worth watching.