Still wondering about the reviews above that insult this film's animation. I thought it looked terrific. (For the record, nearly every professional critic I could find singled out the film's strong visuals.) The character differentiation is very strong in the mice & rats -- and all that tender-loving detail in Ratworld and Mouseworld! You'd have to watch the movie 6 times to pick out all the tiny man-made objects the rodents have used for furniture, clothing, etc.
I see also several reviewers' concerns about the film's "darkness." Ummm . . . don't we find Hans Christian Andersen a bit dark too? Isn't there something about kids being baked in an oven? And doesn't someone's father die in "Lion King"? And a certain famous mother in that deer movie . . . ? For the matter of that, fans of DiCamillo's Newbery-winning book can tell that her version is a lot darker -- heart-breaking at times. At least one critic has scolded the film version for toning down the darkness, which concomitantly weakens DiCamillo's message of forgiveness and redemption.
AND: I don't think I've ever heard vocal work this good in an animated film. They're not big box-office names that will draw tons of kids to the picture, but real pros -- Hoffman, Ullman, Hinds, Watson, and that narration by Sigourney!! -- who bring an amazing richness and authenticity to the characterizations.
Plus, any movie that so convincingly counsels little kids to say "I'm sorry" -- well, even if it had no other merits, it's hard to argue with a message like that!
I see also several reviewers' concerns about the film's "darkness." Ummm . . . don't we find Hans Christian Andersen a bit dark too? Isn't there something about kids being baked in an oven? And doesn't someone's father die in "Lion King"? And a certain famous mother in that deer movie . . . ? For the matter of that, fans of DiCamillo's Newbery-winning book can tell that her version is a lot darker -- heart-breaking at times. At least one critic has scolded the film version for toning down the darkness, which concomitantly weakens DiCamillo's message of forgiveness and redemption.
AND: I don't think I've ever heard vocal work this good in an animated film. They're not big box-office names that will draw tons of kids to the picture, but real pros -- Hoffman, Ullman, Hinds, Watson, and that narration by Sigourney!! -- who bring an amazing richness and authenticity to the characterizations.
Plus, any movie that so convincingly counsels little kids to say "I'm sorry" -- well, even if it had no other merits, it's hard to argue with a message like that!