The melodrama type of film holds little interest for me but Bette Davis's presence enticed me to view All This And Heaven, Too. This more subdued Davis character of governess Mademoiselle D., combined with the extended introductory scenes and length of the film necessitates patience by the viewer. While still a strong female role, as would be expected, Mademoiselle D. holds a relatively low station in society where one usually only speaks when spoken to. Davis plays the part with suitable restraint.
While not an engrossing movie, Davis and Charles Boyer as the Duc de Praslin make it worthwhile. I cared little about the outcome of the love story involving the Duc and Mademoiselle D., but enjoyed their scenes together. And Davis's loving interaction with the children seems genuine; you believe she would be a wonderful governess. But that leads to the one true weaknesses of the film, the character of the Duchesse de Praslin, portrayed by Barbara O'Neil. While the the plot requires the estrangement of the Duc and Duchesse, and her mood swings and jealous outbursts provide drama for an otherwise low key affair, the lack of love for her children and her nasty demeanor feel excessively unsympathetic.
While not an engrossing movie, Davis and Charles Boyer as the Duc de Praslin make it worthwhile. I cared little about the outcome of the love story involving the Duc and Mademoiselle D., but enjoyed their scenes together. And Davis's loving interaction with the children seems genuine; you believe she would be a wonderful governess. But that leads to the one true weaknesses of the film, the character of the Duchesse de Praslin, portrayed by Barbara O'Neil. While the the plot requires the estrangement of the Duc and Duchesse, and her mood swings and jealous outbursts provide drama for an otherwise low key affair, the lack of love for her children and her nasty demeanor feel excessively unsympathetic.