DAUGHTER
is an old curiosityconceived as a foray into a crazy woman's mind. The approach is impressionist, i.e. a boosted POV. It is impressing and pertinent. A surrealist exercise, In one of the previous comments here, I spoke about the poems as a cinematographic species of the silent movies.
It predates the Quays; on the other hand, my surrealist dish is more like Fellini and Bunuel.
DAUGHTER OF HORROR pertains to the same species, as an ambitious, averagely daring, ingenious ,overrated yet intriguing try; it predates the Quays, which means, again, surrealism in bolus.
In the epoch, there was some controversy; but IMDb offers already this sort of historical tips, I believe.
It predates the Quays; on the other hand, my surrealist dish is more like Fellini and Bunuel.
DAUGHTER OF HORROR pertains to the same species, as an ambitious, averagely daring, ingenious ,overrated yet intriguing try; it predates the Quays, which means, again, surrealism in bolus.
In the epoch, there was some controversy; but IMDb offers already this sort of historical tips, I believe.