Modern-day story has an inquisitive young teen unearthing the past and discovering the father she never knew by reading his diary; he died in combat before her birth, and the girl's interest spurs her war-scarred uncle to take her on an emotional visit to the Vietnam Veteran's Memorial. Opening in late September 1989, this film was touted in all the major newspapers as Bruce Willis' Oscar role (though he was overlooked by the Academy when the time came). Seen today, the picture doesn't seem to have any purpose except to showcase the actor's range (limited as it is) and also to squeeze dry the remaining emotions left behind by the Vietnam experience--Hollywood style. Emily Lloyd, as the kid in question, and Peggy Rea, as Mamaw, are tiresome copies of distinctly old-fashioned archetypes--the wise juvenile and the salty matriarch--used over and over in similar movie scenarios since WWII (and probably beyond). Norman Jewison directed, without an ounce of honest inspiration. Whatever discussions or suspicions are addressed in the script, they're pretty much forgotten by the finale--which does everything just shy of saluting. *1/2 from ****
Review of In Country
