This film is the stylish portrait of a high-end New York City escort. While the film lacks any true emotional depth, its ironic value lies as a piece of art lies therein.
Soderbergh has crafted an aesthetically pleasing picture that is perfectly enjoyable throughout, but as the escort it portrays, lacks any real emotional connection with the viewer and any lasting impact.
Grey's acting, however unintentionally on her part, leaves the viewer in a similar position to one of her character's clients; it is almost as if she pretends to be Chelsea rather than actually becoming her, in the same manner that she pretends to be a client's girlfriend.
Soderbergh has crafted an aesthetically pleasing picture that is perfectly enjoyable throughout, but as the escort it portrays, lacks any real emotional connection with the viewer and any lasting impact.
Grey's acting, however unintentionally on her part, leaves the viewer in a similar position to one of her character's clients; it is almost as if she pretends to be Chelsea rather than actually becoming her, in the same manner that she pretends to be a client's girlfriend.