Zero budget creature feature from director David DeCoteau about a small band of soldiers, deserting a war that is sweeping across the world concerning nuclear activity that has left many dead or dying, along with serious acid rain and general misery due to a lack of human necessities(..such as food and clean water), finding an underground research bunker housing a slimy monster which could be an actual human whose physiology has reacted negatively to a genetic experiment concerning amino acids(..which work to make humans self sufficient nutritionally, not having to depend on food to live).
Laughable effects plague this little sci-fi monster movie, including a large puppet rat and this sharp-teethed killer baby fetus(..both which go right for the jugular) which births itself from it's giant creature mother! The grisly effects of what happens to humans who unfortunately ingest the black oily substance(..a type of blood, I assume) contained within the monster highlight the gory specialties of the filmmakers involved, more impressive than the creature itself which is essentially another rubber-suited stuntman. The monster suit looks like a giant bug or something with fangs and crab-like claws which open and shut when the fiend extends it's mouth. The film is pretty much over at the 60 minute mark but DeCoteau and company decide to bring out the damned fetus, with no turning back. Linnea Quigley gets star treatment in CREEPOZOIDS, headlining the cast..and not fifteen minutes in, she's baring those wonderful tits and that fantastic body in a shower sequence with her buff lover, Butch(Ken Abraham). Richard L Hawkins(..who is really the star, to tell the truth) is the leader, Jake, who has to contend with both the giant monster and it's baby at the end. Michael Aranda is rewarded the show-stopping "ALIEN John Hurt dinner death" sequence, as the team's computer geek, Jesse, whose body reacts destructively to food(..he encountered the monster who forced that black blood inside of him). Ashlyn Gere is Kate, the other tough broad on the team who is in love with Jake and suffers an ugly facial reaction after the mutant rat tears into her throat, causing her to violently attack Quigley's Bianca. The make-up effects are okay, hideous and icky reactions to the physiological attacks from within, but this is a case where budgetary restrictions doomed the filmmakers.
Laughable effects plague this little sci-fi monster movie, including a large puppet rat and this sharp-teethed killer baby fetus(..both which go right for the jugular) which births itself from it's giant creature mother! The grisly effects of what happens to humans who unfortunately ingest the black oily substance(..a type of blood, I assume) contained within the monster highlight the gory specialties of the filmmakers involved, more impressive than the creature itself which is essentially another rubber-suited stuntman. The monster suit looks like a giant bug or something with fangs and crab-like claws which open and shut when the fiend extends it's mouth. The film is pretty much over at the 60 minute mark but DeCoteau and company decide to bring out the damned fetus, with no turning back. Linnea Quigley gets star treatment in CREEPOZOIDS, headlining the cast..and not fifteen minutes in, she's baring those wonderful tits and that fantastic body in a shower sequence with her buff lover, Butch(Ken Abraham). Richard L Hawkins(..who is really the star, to tell the truth) is the leader, Jake, who has to contend with both the giant monster and it's baby at the end. Michael Aranda is rewarded the show-stopping "ALIEN John Hurt dinner death" sequence, as the team's computer geek, Jesse, whose body reacts destructively to food(..he encountered the monster who forced that black blood inside of him). Ashlyn Gere is Kate, the other tough broad on the team who is in love with Jake and suffers an ugly facial reaction after the mutant rat tears into her throat, causing her to violently attack Quigley's Bianca. The make-up effects are okay, hideous and icky reactions to the physiological attacks from within, but this is a case where budgetary restrictions doomed the filmmakers.