Jasira Mourain(a heart-draining Summer Bishil)is surrounded by what appears to be a rogues gallery of adults and peers,whether it's back in Syracuse with her unstable and fickle mom(Maria Bello)or out in Houston,Texas with her culturally conservative and somewhat selfish father(Peter Macdissi). It's in Texas that Jasira also ends up being relocated to a school full of bigots and well-intentioned but thick-headed sorts(as if being in middle school WASN'T tough enough)who make her already tenuous growing up with her father just that much more difficult. Things don't improve when she strikes an association with a neighbor family headed by a prejudiced yet overly friendly Army reservist(Aaron Eckhart,almost phoning this one in),nor when she inspires the interest(mutual,of course)with a well-intentioned and attractive black kid(Eugene JonesIII).
Writer/director Alan Ball(American Beauty,"Six Feet Under")is clearly NOT shy about broaching sensitive issues,and his attempt to illustrate the cruel,arbitrary behavior that can come from racism certainly has the sufficient amount of pop and sizzle to it,but it seems like the raw,unrelenting frankness of this story borders on leering and sleaziness,not to mention cruelty. The performances are at least heartfelt and carry a grace about them that doesn't make this TOO preachy or obvious,and the way this story is folded out(using the parameters of Fall 1990 thru March 1991,which was the build-up to start and finish of the first Gulf War)certainly draws this away from post-911 type ready-made drama. But it's timber,it's dangling story lines(the relationship with the mom is just glanced upon) and somewhat out-of-rhythm ending sort of monkey wrenches this from being the cut-above type movie it strives to be. Perhaps I'm judging this film on a knee-jerk type of response,but I think it is still very telling of the kind of product it is.
Intriguing and not without its merits,it's a curiosity of a film,but it's not going to show the viewer much mercy,neither in topic nor in emotional tone.
Writer/director Alan Ball(American Beauty,"Six Feet Under")is clearly NOT shy about broaching sensitive issues,and his attempt to illustrate the cruel,arbitrary behavior that can come from racism certainly has the sufficient amount of pop and sizzle to it,but it seems like the raw,unrelenting frankness of this story borders on leering and sleaziness,not to mention cruelty. The performances are at least heartfelt and carry a grace about them that doesn't make this TOO preachy or obvious,and the way this story is folded out(using the parameters of Fall 1990 thru March 1991,which was the build-up to start and finish of the first Gulf War)certainly draws this away from post-911 type ready-made drama. But it's timber,it's dangling story lines(the relationship with the mom is just glanced upon) and somewhat out-of-rhythm ending sort of monkey wrenches this from being the cut-above type movie it strives to be. Perhaps I'm judging this film on a knee-jerk type of response,but I think it is still very telling of the kind of product it is.
Intriguing and not without its merits,it's a curiosity of a film,but it's not going to show the viewer much mercy,neither in topic nor in emotional tone.