5/10
Bleak Midwinter
29 April 2010
I haven't seen the intervening film "Funeral In Berlin" in the Michael Caine/Harry Palmer Len Deighton trilogy of mid-60's British spy-thrillers and so came to "Billion Dollar Brain" via "The Ipcress File" which I have seen and enjoyed. I was intrigued to learn that it was an early directorial outing for infant-terrible Ken Russell and it was certainly interesting to see what flair he could bring to a typical, almost mundane "Cold War" spy narrative.

To be fair though, I found the whole movie pretty under-powering, not helped by a plot that seems to borrow more from the escapist world of James Bond than the workaday environs of Harry Palmer, I mean a deranged billionaire Commie-hating Southern US General with a private army and super computer planning to trigger a war by invading Latvia! I'm aware that Bond producer Cubby Broccoli was also producer on the Palmer films but believe he seriously got his wires crossed here, to the extent that we get a flashy Bond-type title sequence, tons and tons of expensive-looking military hardware (apart from the "cheap-as-chips" afore-mentioned super computer!) and a horde of extras who reach an icy end on the frozen wastes of Latvia.

Contained in the over-prolix story are the usual devices of our man's anti-Establishment cussedness, cross and double-cross, love interest and the usual hero-saves-the-day conclusion, but in truth, rather like the snowy landscapes which proliferate in the background, I was left pretty cold and dreary by the film as a whole.

Caine seems to show less conviction in his acting this time around and for me his style doesn't bond with Karl Malden's either, while Ed Begley goes over the top of Everest as the mad General Midwinter. Director Russell handles his locations well, gives us one or two interesting shots, like the initial scene where we get to see by torch-light the dishevelment of P.I. Harry's shambolic office and a scene where a just beaten-up Palmer comes around amongst a score of others like him, like so many broken dolls and yes, I did smile at the mild nudity scene which prefigures "Women In Love" by a few years.

But as I said though, it takes a long time to get to the end, there's never really any sense of danger or suspense at any time and for me the actors all look confused throughout. Perhaps it's not surprising therefore that a fourth instalment wasn't commissioned after this outing.
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