The first time I watched "The Uninvited" (2003, Korea) I thought it was boring. The second time I watched it I thought it was good but needed approximately 20 minutes edited out. Last night I watched it for the third time and was captivated from start to finish. It's truly one of the most effectively depressing films of the past decade, and is essential viewing for lovers of slow-burning, psychological, dramatic horror films with heaping quantities of character development.
The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.
The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.
Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.
This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.
The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.
The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.
Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.
This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.