It was nice to see an aging yet durable Duryea once again in a leading role. And he more than holds his own.
I thought it an inspired touch of casting on Serling's part to cast this once uber-villain in a part that could singularly reveal both aspects of this character in one, brief 1/2-hour episode. Martin Landau was effective as the black-clad heavy (a role hauntingly foreshadowing his role in "North By Northwest"), and it was a singular pleasure seeing a nearly post-pubescent Doug McClure in what may qualify as a cameo at the conclusion. Morality tales can be tricky, but once again Serling the supreme storyteller, pulls it off with aplomb.
It always amazes me how these wonderful B&W episodes still hold up after all these years (and multiple viewings) later. I never, ever seem to grow tired of watching them. I noticed that many years later they tried (in vain) to bring back this much venerated series, only to have it fail miserably. When you combine superior writing, inspired directing, and casting the strongest character and leading actors alive into one television program, it's a tough combination to beat.
On my very favorite TZ episode, "Walking Distance," the sound track was actually written by, for my money, the greatest film composer of all time, Bernard Herrmann ("Psycho," Citizen Kane"). That fact, more than just about anything, stands in tribute to the kind of talent that Serling's landmark TV series attracted. After all of the great television I've enjoyed over the years, there is no one series that has engendered the kind of devotion and wonder that these thought-provoking episodes inspire in their loyal following, myself heartily included.
I thought it an inspired touch of casting on Serling's part to cast this once uber-villain in a part that could singularly reveal both aspects of this character in one, brief 1/2-hour episode. Martin Landau was effective as the black-clad heavy (a role hauntingly foreshadowing his role in "North By Northwest"), and it was a singular pleasure seeing a nearly post-pubescent Doug McClure in what may qualify as a cameo at the conclusion. Morality tales can be tricky, but once again Serling the supreme storyteller, pulls it off with aplomb.
It always amazes me how these wonderful B&W episodes still hold up after all these years (and multiple viewings) later. I never, ever seem to grow tired of watching them. I noticed that many years later they tried (in vain) to bring back this much venerated series, only to have it fail miserably. When you combine superior writing, inspired directing, and casting the strongest character and leading actors alive into one television program, it's a tough combination to beat.
On my very favorite TZ episode, "Walking Distance," the sound track was actually written by, for my money, the greatest film composer of all time, Bernard Herrmann ("Psycho," Citizen Kane"). That fact, more than just about anything, stands in tribute to the kind of talent that Serling's landmark TV series attracted. After all of the great television I've enjoyed over the years, there is no one series that has engendered the kind of devotion and wonder that these thought-provoking episodes inspire in their loyal following, myself heartily included.