Tom Petty and the Heartbreakers: Runnin' Down a Dream (Peter Bogdanovich, 2007) attempts to do for the Heartbreakers what Scorsese's No Direction Home did for Dylan - and turns out astonishingly well. Bogdanovich weaves his epic tale of artistic integrity, human tragedy and lasting friendship via interviews, live footage and a wealth of home video and in-studio footage that stretches back to the band's formative weeks. Petty and the group - including fellow founders Mike Campbell and Benmont Tench - are often bracingly candid as they chart their journey from young upstarts bundled in with the burgeoning punk scene to wiser, though no less ambitious, old-timers. Their story takes in ego-driven rifts, substance abuse and the death of bassist Howie Epstein from heroin addiction, as well as the frontman's personal battles with industry bigwigs. There's one telling moment where the singer says: "People ask if it seems like 30 years. It seems like a hell of a lot longer", but this four-hour portrait has entirely the opposite effect, fairly flying by in a blaze of irressistible melodies and telling soundbytes. Fittingly, each band member is given an introductory sketch and a significant amount of screen time. There are also sub-sections dedicated to key themes, like the source of Petty's ambition (a single-minded drive that sees him pinch songs and band members from various collaborators) and the creative process.
Though the movie's first three or four musical clips may make you wonder just how the group acquired such a fanatical fanbase, the next 40 will leave you in no doubt, as Petty emerges as a composer and performer of rare talent, happening upon songs as timeless and diverse as Don't Do Me Like That, Here Comes My Girl, The Waiting, Southern Accents, The Best of Everything, Free Fallin' and Learning to Fly. Bogdanovich occasionally fixates on the wrong details uncovered during interviews (surely Petty's descent into drug abuse is more interesting than the fact he broke his hand?), certain passages don't pack the wallop they rightly should and there's a slight dip in the last 25 as the director takes us up to date, but for the most part this is a fascinating film that gives one of America's greatest songwriters his due and reveals the inestimable part the Heartbreakers have played in his legacy. It's also an arresting portrait of a nonconformist - or "a badass", as Dave Grohl calls him - with Petty fighting MCA for the rights to his songs, stopping them from hiking up the price of his 1981 record Hard Promises and preventing his hero Roger McGuinn from selling out. If Runnin' Down a Dream isn't in the same league as No Direction Home, that's largely because Dylan's story has no equal in modern popular culture. This is still a major work - and a hugely entertaining one at that.
Though the movie's first three or four musical clips may make you wonder just how the group acquired such a fanatical fanbase, the next 40 will leave you in no doubt, as Petty emerges as a composer and performer of rare talent, happening upon songs as timeless and diverse as Don't Do Me Like That, Here Comes My Girl, The Waiting, Southern Accents, The Best of Everything, Free Fallin' and Learning to Fly. Bogdanovich occasionally fixates on the wrong details uncovered during interviews (surely Petty's descent into drug abuse is more interesting than the fact he broke his hand?), certain passages don't pack the wallop they rightly should and there's a slight dip in the last 25 as the director takes us up to date, but for the most part this is a fascinating film that gives one of America's greatest songwriters his due and reveals the inestimable part the Heartbreakers have played in his legacy. It's also an arresting portrait of a nonconformist - or "a badass", as Dave Grohl calls him - with Petty fighting MCA for the rights to his songs, stopping them from hiking up the price of his 1981 record Hard Promises and preventing his hero Roger McGuinn from selling out. If Runnin' Down a Dream isn't in the same league as No Direction Home, that's largely because Dylan's story has no equal in modern popular culture. This is still a major work - and a hugely entertaining one at that.