10/10
Memories, progress and the art of it all
12 July 2010
When the director Mohsen Makhmalbaf was 17 he stabbed a policeman, now that policeman has come to him to ask for an acting job. The work begins to reconstruct the actual incident and they both work on picking their younger selves. However the actors who are to play them are almost identical in their personality.

In many ways it's comparable to the style of Jean-Luc Godard. It sets up absurd situations and plays with reality, even within the films own reality. The film is indeed an odd mix. It's basically about it's own creation. And some parts, as the actual incident happened in real life. Though many elements are played for laughs and could be classified as a comedy it separates from Godard in one major point. Instead of having sarcasm under it's surface we will her find humanity and suffering.

In full it's a look at Irans culture and the old and the new generations view of violence and what it takes to be good. It's artistic style helps to enhance not only the absurdity but also the isolation that can be found in this society. A film about progress and memories that is sure to evoke emotions.
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