7/10
It's Grim Up North
17 September 2010
'1974' has a lot in its favor. The performances, production design, and cinematography are excellent. The shortfall is in the screenplay. Pierce's book is so rooted in the urban landscape of West Yorkshire that the back streets of Leeds become another, if not the most important, character in the story. The Leeds of '1974' is not supposed to be realistic, but an almost Dante-esquire vision of absolute power running amok where the police are more dangerous than the psychopaths and nobody is to be trusted. It's a vision of concrete tower blocks and crumbling Victorian architecture. The film, however, rarely depicts Leeds as an urban metropolis, favoring rural isolation instead. It's a curious decision, and denies the film much of its potential visual power.

Pierce's books make McCarthy's 'The Road' seem like light and fluffy beach reading. For all the movie's 'It's Grim Up North' doom and gloom, it's nowhere near as unrelenting as the book. Though Tony Grisoni makes an admirable effort, and presents a society of rampant corruption, at no point do we really feel the Orwellian weight of it all. In the books, it's clear that the horror is simply the inescapable reality of the world. In the film, you get the impression that Eddie could just get in his car at any moment and leave it all behind.

I guess I was in the mood for uncompromising nihilism and '1974' failed to deliver. Not a bad movie by any stretch, but fails to achieve its potential.
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