The thematics of "Tirza" revolve around the principle of the 'dead white man'. The typical man who seems denied to the elite of living men: this is Jörgen Hofmeester. He is an insignificant, almost banal man whose world further collapses when his favorite daughter, Tirza, graduates and leaves with her Morrocan boyfriend for Namibia. Upon not hearing a word from her after the goodbye, he decides to travel after her to Windhoek.
What follows is an enormous quest for significance, for his daughter and for a center for misguided human beings like himself, on which he encounters only more disappointment, insignificance and errancy. Based on a novel by Anton Grunberg, this movie is highly literary and philosophical in non-aesthetic and non-sentimental ways. From the bitterness of a 9-year-old child prostitute to the coherence of his lives in both the Netherlands and Namibia; everything is masterfully dissected and analyzed from an absolutely merciless point of view.
No heroes here, no villains, because the only villain, as we know, is the human psyche. Grunberg, as well as screenwriter/director Van den Berg, clearly knows how to make surrealism realistic and symbolism natural. This is a completely disoriented movie and after seeing it, it will be difficult to know where the toilets of the cinema are.
As for the cinematography: it is splendid. Cold colors make even the sunlit Namibia look sinister and the quite contrasted colors give the film an extra dimension: not only its visuals are contrasted, but so are its characters. Subtle references to The Shining, Paris;Texas and many other films must be noted.
The performances are engaging and often quite funny: Sylvia Hoeks playing a girl 9 years her minor is the light-bulb in all this and you can sympathize with this sympathetic yet unsure girl. She may be the only thing which is significant in this story. It's understandable that Jörgens feelings for her surpass fatherhood.
What follows is an enormous quest for significance, for his daughter and for a center for misguided human beings like himself, on which he encounters only more disappointment, insignificance and errancy. Based on a novel by Anton Grunberg, this movie is highly literary and philosophical in non-aesthetic and non-sentimental ways. From the bitterness of a 9-year-old child prostitute to the coherence of his lives in both the Netherlands and Namibia; everything is masterfully dissected and analyzed from an absolutely merciless point of view.
No heroes here, no villains, because the only villain, as we know, is the human psyche. Grunberg, as well as screenwriter/director Van den Berg, clearly knows how to make surrealism realistic and symbolism natural. This is a completely disoriented movie and after seeing it, it will be difficult to know where the toilets of the cinema are.
As for the cinematography: it is splendid. Cold colors make even the sunlit Namibia look sinister and the quite contrasted colors give the film an extra dimension: not only its visuals are contrasted, but so are its characters. Subtle references to The Shining, Paris;Texas and many other films must be noted.
The performances are engaging and often quite funny: Sylvia Hoeks playing a girl 9 years her minor is the light-bulb in all this and you can sympathize with this sympathetic yet unsure girl. She may be the only thing which is significant in this story. It's understandable that Jörgens feelings for her surpass fatherhood.