3/10
Mouthful of rotting fangs
6 January 2011
Warning: Spoilers
Stella (this time around portrayed by the anonymous Kiele Sanchez) is one of the few survivors of the Barrow Massacre. News and media sold the events their as a tragic oil-rig accident. This pushes Stella into a crusade for truth, where she roams the country holding seminars about what really happened during the Alaskan darkness. At one such event she decides to out the vampires by turning on ultraviolet lights, which kill a couple of night-stalkers, but also cause havoc and mayhem amongst the viewers. Stella is soon whisked away by the FBI and one agent Norris (Troy Ruptash), who seems to know too much about the vampire threat. Soon released she is confronted by a group of vampire hunters, who enlist her to kill Lilith, apparently the head-honcho bloodsucker.

Loosely based on the follow-up graphic novel of the same name it follows the exploits of Stella. But this time around the film increasingly moves away from the origin material and in doing so quickly losing the intricate planning of the novel. Hence the rushed, unfinished feel of the whole movie, where even actors seem incoherent, erratic and chaotic. In certain scenes the mix of sub-par acting capacity and bad scriptwriting makes the characters run a slalom between panic, drama, heroism, laughter and stoicism, where within a matter of seconds emotions change drastically.

Everything about this movie reeks of quick fixes and short cuts, not enough is done to build atmosphere, storyline or characters themselves. Even more irritatingly the only character that is even remotely recognisable and at the same time likable is killed off within the first vampire hunt (Todd played by Harold Perrineau). I would also like to add that given this was supposed to be a bunch of seasoned killers the whole sequence of the hunt was exceptionally badly scripted.

In the end even the small homage to the original novel does not dispose of the bad taste left over lingering in your mouth. On the plus side the SFX crew did a good job and it never felt like a film working on a shoe-string budget.
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