*This is a review of the version with the international aka. Title "EXORCISM".
Does the plot of this movie serve mainly as an excuse to show tons of sleaze, gratuitous female nudity, sadomasochistic perversions and violence? Yes, it does, and if you have a problem with that you better stay away from this film, as from any other film made by the prolific Spanish Exploitation-deity Jess Franco after the mid-70s. To my fellow fans of the man, however, L'ÉVENTREUR DE NOTRE-DAME aka. EXORCISME aka. EXORCISM of 1979 is highly recommendable, as it combines Franco's passions for sleaze, elegance and controversy in a highly entertaining manner. Franco had cameos and supporting roles in many of his 190+ films, but he plays the main psychopath here.
Mathis Vogel (Franco), an author who writes sadomasochistic stories for a sleaze magazine, is really a religious fanatic who kidnaps, tortures and murders sexually promiscuous young women in order to save their souls. The hot girls working for the sleaze-magazine, who also appear in sadomasochistic fake black masses in front of decadent audiences, soon begin to disappear...
EXORCISM is interesting for a variety of reasons. Jess Franco, who was once labeled "The most dangerous film-maker alive" by the Vatican has been one of the most active adversaries (and victims) of censorship throughout his career; some decades ago, censorship in the name of morality still came partly from the influence of the church. While evil devil-worshipers were very popular villains in 70s cinema, Franco actually gives us an evil Christian who is out to murder promiscuous girls and innocent leisure-time-Satanists. The sleaze-level is high in this one, and anybody disgusted by the combination of sexuality and violence in a movie should stay away from this as from most other Franco-flicks. The young Lina Romay (Franco's real-life wife) is the most beautiful member of the entirely exhibitionist female cast. The story is often ridiculous but fun to follow, even though some clichéd elements like super-idiotic police might make viewers roll their eyes. As in the majority of Franco's films, the set-pieces, cinematography and score are great. As it is the case with many other Franco-movies, there are (hardcore-pornographic) alternate cuts of this movie available, this is a review of the non-porn 'Horror' version. Sleazy Franco-typical nastiness, recommended to my fellow fans of the man.
Does the plot of this movie serve mainly as an excuse to show tons of sleaze, gratuitous female nudity, sadomasochistic perversions and violence? Yes, it does, and if you have a problem with that you better stay away from this film, as from any other film made by the prolific Spanish Exploitation-deity Jess Franco after the mid-70s. To my fellow fans of the man, however, L'ÉVENTREUR DE NOTRE-DAME aka. EXORCISME aka. EXORCISM of 1979 is highly recommendable, as it combines Franco's passions for sleaze, elegance and controversy in a highly entertaining manner. Franco had cameos and supporting roles in many of his 190+ films, but he plays the main psychopath here.
Mathis Vogel (Franco), an author who writes sadomasochistic stories for a sleaze magazine, is really a religious fanatic who kidnaps, tortures and murders sexually promiscuous young women in order to save their souls. The hot girls working for the sleaze-magazine, who also appear in sadomasochistic fake black masses in front of decadent audiences, soon begin to disappear...
EXORCISM is interesting for a variety of reasons. Jess Franco, who was once labeled "The most dangerous film-maker alive" by the Vatican has been one of the most active adversaries (and victims) of censorship throughout his career; some decades ago, censorship in the name of morality still came partly from the influence of the church. While evil devil-worshipers were very popular villains in 70s cinema, Franco actually gives us an evil Christian who is out to murder promiscuous girls and innocent leisure-time-Satanists. The sleaze-level is high in this one, and anybody disgusted by the combination of sexuality and violence in a movie should stay away from this as from most other Franco-flicks. The young Lina Romay (Franco's real-life wife) is the most beautiful member of the entirely exhibitionist female cast. The story is often ridiculous but fun to follow, even though some clichéd elements like super-idiotic police might make viewers roll their eyes. As in the majority of Franco's films, the set-pieces, cinematography and score are great. As it is the case with many other Franco-movies, there are (hardcore-pornographic) alternate cuts of this movie available, this is a review of the non-porn 'Horror' version. Sleazy Franco-typical nastiness, recommended to my fellow fans of the man.