Dolly takes on all three of Julie Andrews' nanny roles as a dead country and western singer who must reunite a family to get her angel wings. After St. Peter (Roddy McDowall) sends her crashing back down to earth in Maria Von Trapp Alps courtier, Dolly takes on the role of nanny for widower Brian Kerwin's two unruly children. Kerwin knows from the start that this nanny is totally different, much like Charles Shaugnessy did with Fran Drescher on the TV series "The Nanny". Like Mr. Sheffield and Miss Fine, there are romantic innuendos, which threatens Parton's Ruby Diamond risking losing her wings. It's all overly sentimental, but with Dolly in the lead, it's not boring. She gets to sing, too, which would make the most maudlin TV movie entertaining. There's some fun moments that engage the viewer in laughter, which makes the film most watchable in spite of the fact that the story has been told many time over before.
Kerwin and the actors playing the kids do admirable jobs, but it's Dolly's show all the way. She doesn't overkill the niceness. Roddy McDowall is amusing in a dual role. Some of the how to get to heaven theories might upset some people of set beliefs, but like "Heaven Can Wait", "Defending Your Life" and "What Dreams May Come", it's simply a message of hope.
Kerwin and the actors playing the kids do admirable jobs, but it's Dolly's show all the way. She doesn't overkill the niceness. Roddy McDowall is amusing in a dual role. Some of the how to get to heaven theories might upset some people of set beliefs, but like "Heaven Can Wait", "Defending Your Life" and "What Dreams May Come", it's simply a message of hope.