Incredibly, 'Lucrèce Borgia (1935)' is my first film from Abel Gance, one of the titans of early French cinema, though this is far from his best-known work. The film is a chronicle of the House of Borgia, a reigning family that remains notorious for their corruption and sexual debasement. I've had to do some reading up, so apologies to any history buffs if I get my details wrong. There are four main characters in this sordid tale. Pope Alexander VI (Roger Karl) is incompetent and blind to the misdeeds of his family – though historians generally portray him as being far more depraved than he is depicted here. Giovanni (Maurice Escande) is the pope's elder son, and a bit of an extravagant fop. César (Gabriel Gabrio) is a lusty, bloodthirsty monster under the advisement of Niccolò Machiavelli. Sister Lucrezia (Edwige Feuillère) is a promiscuous woman whose lovers have the unfortunate habit of being quickly murdered by the jealous, scheming César. All in all, probably not the sort of people you'd invite to a friendly game of neighbourhood charades. There are some confronting scenes in here, especially compared to the 1930s films to which one is accustomed. Confrontations are seen to draw blood, and exploited women are stripped of their clothes. There is a rather graphic recreation of the Banquet of Chestnuts, which took place on October 30, 1501, at which César (and possibly Pope Alexander VI) treated his guests to the services of 50 prostitutes.
Review of Lucrezia Borgia
