It should come as no surprise that this mid-summer 2011 entry into the Marvel Comics-originated series would be the most unabashedly old-fashioned of all the Avengers-related sagas, but what is admirable about this particular epic adventure is how committed director Joe Johnston ("October Sky") and co-screenwriters Christopher Markus and Stephen McFeely ("The Chronicles of Narnia") appear to be in telling their somewhat revisionist story with such patriotic, good-versus-evil fervor on its own comic-book terms. There is nothing emotionally complex about the tale of this familiar superhero beyond a standard-issue time-travel element to bring all the Avengers story lines together. Bookended by present-day scenes, the bulk of the story focuses on our stalwart hero and his primary adversary, and how they confront each other during the height of World War II. In many respects, the film has a spiritual kinship with earlier retro-style epics like "Raiders of the Lost Ark" and the 1977 version of "Superman".
The historical part of the story begins in Norway where we see renegade Nazi Johann Schmidt uncovering an extraordinary power source which he plans to use for global domination. Meanwhile back in the US, diminutive and physically weak Steve Rogers is trying desperately to serve his country in the military, but he can't get past his 4-F status. His plucky tenacity does not go unnoticed as émigré military scientist Dr. Abraham Erskine selects him for a highly risky experiment that will transform him into a muscular soldier with superhuman strength and speed. He performs a heroic act of derring-do against a Nazi spy that throws him immediately into the spotlight, and the US government decides to use him to sell savings bonds at patriotic USO revues. However, when Steve finds out his best buddy "Bucky" Barnes is lost behind enemy lines, Captain America is truly born complete with his indestructible Vibranium shield. Naturally, he not only saves "Bucky" but the entire battalion who were given up for dead. All of this merely sets up the final showdown with the evil Schmidt, who has transformed himself into Red Skull, the super-powered head of HYDRA, the Nazi's occult research arm.
While the action in the second half is well-paced and impressively choreographed, it also feels increasingly overblown when you consider how Captain America steadfastly remains a beacon of service and loyalty as a direct contrast to the megalomania of Red Skull. The finale feels anti-climactic in many ways. Already familiar to Marvel fans as the hot-headed Johnny Storm/"The Human Torch" in the "Fantastic Four" movies, Chris Evans does surprisingly well playing such an earnest character, especially the first part where CGI effects turn him into the classic 98-pound weakling. Hugo Weaving has a field day as Schmidt, even if his character's motivations start to come across as simplistic. Other actors fare just as well if somewhat predictably given the lack of true dimension they are given to play - Toby Jones (Truman Capote in "Infamous") as HYDRA's No. 2, Dr. Arnim Zola; Stanley Tucci as the slyly supportive Erskine; and Tommy Lee Jones in full military bluster as Colonel Chester Phillips. Only Hayley Atwell comes across as too wan to play the tough-acting strategic officer Peggy Carter, Steve's romantic interest which the filmmakers barely have time to explore. No matter since the whole venture has obviously been designed as a springboard for 2012's "Avengers" sequel.
The historical part of the story begins in Norway where we see renegade Nazi Johann Schmidt uncovering an extraordinary power source which he plans to use for global domination. Meanwhile back in the US, diminutive and physically weak Steve Rogers is trying desperately to serve his country in the military, but he can't get past his 4-F status. His plucky tenacity does not go unnoticed as émigré military scientist Dr. Abraham Erskine selects him for a highly risky experiment that will transform him into a muscular soldier with superhuman strength and speed. He performs a heroic act of derring-do against a Nazi spy that throws him immediately into the spotlight, and the US government decides to use him to sell savings bonds at patriotic USO revues. However, when Steve finds out his best buddy "Bucky" Barnes is lost behind enemy lines, Captain America is truly born complete with his indestructible Vibranium shield. Naturally, he not only saves "Bucky" but the entire battalion who were given up for dead. All of this merely sets up the final showdown with the evil Schmidt, who has transformed himself into Red Skull, the super-powered head of HYDRA, the Nazi's occult research arm.
While the action in the second half is well-paced and impressively choreographed, it also feels increasingly overblown when you consider how Captain America steadfastly remains a beacon of service and loyalty as a direct contrast to the megalomania of Red Skull. The finale feels anti-climactic in many ways. Already familiar to Marvel fans as the hot-headed Johnny Storm/"The Human Torch" in the "Fantastic Four" movies, Chris Evans does surprisingly well playing such an earnest character, especially the first part where CGI effects turn him into the classic 98-pound weakling. Hugo Weaving has a field day as Schmidt, even if his character's motivations start to come across as simplistic. Other actors fare just as well if somewhat predictably given the lack of true dimension they are given to play - Toby Jones (Truman Capote in "Infamous") as HYDRA's No. 2, Dr. Arnim Zola; Stanley Tucci as the slyly supportive Erskine; and Tommy Lee Jones in full military bluster as Colonel Chester Phillips. Only Hayley Atwell comes across as too wan to play the tough-acting strategic officer Peggy Carter, Steve's romantic interest which the filmmakers barely have time to explore. No matter since the whole venture has obviously been designed as a springboard for 2012's "Avengers" sequel.