The Hour is an intriguing new drama, created and written by Abi Morgan, that spans several genres and weaves them together cleverly and effectively. There is espionage, murder and suspense on the one hand; romance on another hand; comedy on yet another hand; and political drama on the final hand. The central emphasis is on the characters, however, of Bel Rowley (producer of The Hour), Hector Madden (its presenter), and one of the best characters of recent years, the funny and confident Freddie Lyon, one of the show's journalists.
The acting is uniformly excellent; Romola Garai ('Atonement'; 'The Crimson Petal and the White') and Ben Whishaw ('Perfume'; 'Criminal Justice I') especially shine as Bel and Freddie. There are other superb performances from the seedy Julian Rhind-Tutt ('Green Wing') and the suave Dominic West ('The Wire'), along with my personal favourite Anna Chancellor ('Four Weddings and a Funeral') as Lix, an acid-tongued feminist in the newsroom.
The story does start off a little slowly, but prepare for a roller-coaster ride later on, particularly in the extremely tense final episode, where the drama is perfectly pitched. The loose ends are nicely tied up, and the conclusion is suitably ambiguous, ready for the second series which has been commissioned.
The only quibble is the sometimes anachronistic dialogue; but one tends not to notice this as everything else is so good.
So, overall this is an intriguing, intelligent drama with plenty of strands, twists and turns, and fantastic acting all round. I await series two eagerly.
The acting is uniformly excellent; Romola Garai ('Atonement'; 'The Crimson Petal and the White') and Ben Whishaw ('Perfume'; 'Criminal Justice I') especially shine as Bel and Freddie. There are other superb performances from the seedy Julian Rhind-Tutt ('Green Wing') and the suave Dominic West ('The Wire'), along with my personal favourite Anna Chancellor ('Four Weddings and a Funeral') as Lix, an acid-tongued feminist in the newsroom.
The story does start off a little slowly, but prepare for a roller-coaster ride later on, particularly in the extremely tense final episode, where the drama is perfectly pitched. The loose ends are nicely tied up, and the conclusion is suitably ambiguous, ready for the second series which has been commissioned.
The only quibble is the sometimes anachronistic dialogue; but one tends not to notice this as everything else is so good.
So, overall this is an intriguing, intelligent drama with plenty of strands, twists and turns, and fantastic acting all round. I await series two eagerly.