WIND CHILL is a decent little horror film with about a hundred times more verve and originality than the latest GRUDGE sequel. It's an understated ghost story, in essence a two hander about a couple of strangers trapped in a car in the worst possible place: an isolated stretch of road, reputedly haunted and in the depths of a snowy winter where the temperature's due to reach minus thirty.
The supernatural elements of the story are akin to THE SHINING, although of course they take place out of doors rather than in an empty hotel. Most of the film is dialogue-driven, which is fine when the script concentrates on characterisation and creates two well-rounded protagonists, each with their own personality flaws and defects. British actress Emily Blunt, best known for her comic role in THE DEVIL WEARS PRADA, is great; her character is far from likable but grows on you as the film develops while the unknown-to-me Ashton Holmes is equally good in a sympathetic role.
There are no action scenes, no vivid effects and no great moments of drama. Subtlety abounds. I'll admit that I rarely get scared watching a film these days, and it didn't happen in this one (although there are some genuinely creepy scenes involving the priest characters). Nevertheless, I enjoyed the film from start to finish thanks to the unfamiliar story and the integrity displayed throughout in its refusal to bow to Hollywood convention.
The supernatural elements of the story are akin to THE SHINING, although of course they take place out of doors rather than in an empty hotel. Most of the film is dialogue-driven, which is fine when the script concentrates on characterisation and creates two well-rounded protagonists, each with their own personality flaws and defects. British actress Emily Blunt, best known for her comic role in THE DEVIL WEARS PRADA, is great; her character is far from likable but grows on you as the film develops while the unknown-to-me Ashton Holmes is equally good in a sympathetic role.
There are no action scenes, no vivid effects and no great moments of drama. Subtlety abounds. I'll admit that I rarely get scared watching a film these days, and it didn't happen in this one (although there are some genuinely creepy scenes involving the priest characters). Nevertheless, I enjoyed the film from start to finish thanks to the unfamiliar story and the integrity displayed throughout in its refusal to bow to Hollywood convention.