"The Old Dark House" has moved from Wales to the west coast of the United States, and Randolph Scott shows up in the middle of a murder investigation. It seems that the relatives of a dying patriarch (who hires Scott to work in his laboratory) have gathered around, waiting for the old coot to die. But one by one, members of the family start to drop dead themselves. As always happens in these films, the hero (Scott) falls in love with one of the more innocent members of the family, and in this case, that heroine is none other than Ann Sheridan, the future "Oomph Girl" in one of her first major roles. Several years off from beginning to shine as one of Warner Brothers' top actresses of the late 1930's and 40's, Sheridan had yet to show her potential, but what made her movie star material is evident. Scott, seen the same year in the Astaire/Rogers musical "Roberta", moved between "A" films and low-grade western/action films. Even though he's seen through most of the films in chaps, this isn't really a western, in spite of its setting.
In the supporting cast, "Chic" Sale adds some amusement as the self-sworn in sheriff, while stage actress Mrs. Leslie Carter makes a rare screen appearance as the family matriarch. Coming off like Eva Moore in "The Old Dark House", Carter would be much better off five years later when Miriam Hopkins played her in Warner's biopic "The Lady With Red Hair". Her acting here is best described as something out of the gaslight era, overly dramatic and unintentionally campy. Willie Fung, as usual, is typecast as the effeminate servant.
There are some interesting developments in the slow-moving and creaky pacing, particularly the contraption used in several of the demises. Otherwise, the film is entirely forgettable, and strictly for fans of the "Z" budget bottom of the bill programmers or for fans who want to see Scott and Sheridan early in their career.
In the supporting cast, "Chic" Sale adds some amusement as the self-sworn in sheriff, while stage actress Mrs. Leslie Carter makes a rare screen appearance as the family matriarch. Coming off like Eva Moore in "The Old Dark House", Carter would be much better off five years later when Miriam Hopkins played her in Warner's biopic "The Lady With Red Hair". Her acting here is best described as something out of the gaslight era, overly dramatic and unintentionally campy. Willie Fung, as usual, is typecast as the effeminate servant.
There are some interesting developments in the slow-moving and creaky pacing, particularly the contraption used in several of the demises. Otherwise, the film is entirely forgettable, and strictly for fans of the "Z" budget bottom of the bill programmers or for fans who want to see Scott and Sheridan early in their career.