Paul "The Golem" Wegener creates Brigitte "Metropolis" Helm from the sperm of a condemned man and the egg of a prostitute to disprove genetic theory and names her Mandrake after a plant that grows beneath the gallows and brings either very good or very bad luck. She's raised in a convent where she drowns flies, puts spiders in the nuns' habits, and demands a smitten young swain steal money from his father's bank so they can run off together. He does, they do -and soon join a circus where every man is at Mandrake's feet. Her "father" eventually finds her, brings her home, and introduces the girl into society where she has the same devastating effect on anything in pants ...including her creator. Uh oh.
A great tale (based on German legend) with plenty of potential is told in pedestrian fashion (no Expressionism, here) and further diluted by a half-way happy ending (!) that has Mandrake falling in love and finding happiness while "father" goes insane for tampering with things no mortal should. The artificial insemination angle would have been verboten in Hollywood at the time but Weimar Germany was most likely unfazed. The 1952 remake with Erich von Stroheim and Hildegarde Knef gave ALRAUNE the ending it cried out for.
A great tale (based on German legend) with plenty of potential is told in pedestrian fashion (no Expressionism, here) and further diluted by a half-way happy ending (!) that has Mandrake falling in love and finding happiness while "father" goes insane for tampering with things no mortal should. The artificial insemination angle would have been verboten in Hollywood at the time but Weimar Germany was most likely unfazed. The 1952 remake with Erich von Stroheim and Hildegarde Knef gave ALRAUNE the ending it cried out for.