In the height of the run-in for the Democratic Presidential candidate, young campaign manager Stephen Meyers (Ryan Gosling), who is working for Governor of Pennsylvania Mike Morris (George Clooney), is called for a meeting by rival campaigner Tom Duffy (Paul Giamatti) who attempts to convince him to jump ship. Meyers refuses, but fails to tell his boss Paul Zara (Philip Seymour Hoffman), only to admit it to him later. Furious at the lack of trust now between the two, Zara fires Meyers, who furiously tries to join the rival team. During this time, Meyers has been romancing intern Molly Stearns (Evan Rachel Wood), who may just harbour a secret of his own. Over the course of the film, Meyers learns the true nature of politics, and just what it takes to survive in the business.
There are three things that cannot be faulted with this film - that is the stellar acting by a multi-talented cast, the sharp script, and Clooney's direction. Gosling is quickly becoming Hollywood's favourite A-lister (even though I've been championing him for years!), combining good looks, charm, and a huge acting talent. 2011 was good to him, with this film, and the year's sleeper hit, Drive, catapulting him to stardom. The reliable supporting cast - Giamatti, Hoffman, Clooney, Wood, Jeffrey Wright and Marisa Tomei - all prove effective in their roles. The script, by Grant Heslov, Beau Willimon, and Clooney himself, packs a lot into its feature running time, but it keeps things rather tense and suitably fierce. And Clooney, who is quickly becoming a hugely confident director, keeps the style of the film very much that of the political thrillers of the 1970's. Not to say he is a homage director, but he clearly takes his styles from his peers. Given that America's finest cinematic era was the 70's, there's certainly nothing wrong with taking its influences from it.
Yet, given all the style and fine acting on display, The Ides of March seems rather pointless. It is clearly depicting the corruption of the self through politics as Gosling evolves from naive and passionate wunderkid, to morally dubious game-player, though it's nothing that has been seen before. So politics corrupts? No s**t. A shame then, as I wanted to really like this film, and I suppose I did, but ultimately it left me yearning for more, and I felt the film would have been more effective as a mini-series, giving time to breathe life into its characters between the moments of back-stabbing and shady meetings. It's undoubtedly extremely well made and well-intentioned, but rather hollow. Clooney, however, still remains a director of promise, and I will still be eager to watch whatever he directs next.
www.the-wrath-of-blog.blogspot.com
There are three things that cannot be faulted with this film - that is the stellar acting by a multi-talented cast, the sharp script, and Clooney's direction. Gosling is quickly becoming Hollywood's favourite A-lister (even though I've been championing him for years!), combining good looks, charm, and a huge acting talent. 2011 was good to him, with this film, and the year's sleeper hit, Drive, catapulting him to stardom. The reliable supporting cast - Giamatti, Hoffman, Clooney, Wood, Jeffrey Wright and Marisa Tomei - all prove effective in their roles. The script, by Grant Heslov, Beau Willimon, and Clooney himself, packs a lot into its feature running time, but it keeps things rather tense and suitably fierce. And Clooney, who is quickly becoming a hugely confident director, keeps the style of the film very much that of the political thrillers of the 1970's. Not to say he is a homage director, but he clearly takes his styles from his peers. Given that America's finest cinematic era was the 70's, there's certainly nothing wrong with taking its influences from it.
Yet, given all the style and fine acting on display, The Ides of March seems rather pointless. It is clearly depicting the corruption of the self through politics as Gosling evolves from naive and passionate wunderkid, to morally dubious game-player, though it's nothing that has been seen before. So politics corrupts? No s**t. A shame then, as I wanted to really like this film, and I suppose I did, but ultimately it left me yearning for more, and I felt the film would have been more effective as a mini-series, giving time to breathe life into its characters between the moments of back-stabbing and shady meetings. It's undoubtedly extremely well made and well-intentioned, but rather hollow. Clooney, however, still remains a director of promise, and I will still be eager to watch whatever he directs next.
www.the-wrath-of-blog.blogspot.com