Interesting, well-acted, flawed, bonkers.
18 May 2012
Warning: Spoilers
A batty colonial Third Man, as raffish thief Trevor Howard winds up at a trading outpost, where he falls for a female warrior (Kerima) and proceeds to betray his best friend (Ralph Richardson). This strange, intense drama – complete with broad comic interludes – lacks a consistency of tone, oscillates between profundity and pomposity (though some of the commentary on imperialism is fascinating) and is too low-budget to realise its ambitions, leading to continuity problems and some iffy back-projection. But it has a whole deck of wild cards that make it a must-see for fans of classic British film. Where else would you get to watch Robert Morley trussed up in a cocoon-like hammock, swinging, whooping above a bonfire? Or Richardson – in full Captain Birdseye make-up – trudging up a mountain, unsure whether to shoot or lecture his protégé? Indeed, much of the acting has to be seen to be believed, with a masterclass in madness from Howard, a poignant part from Richardson, Morley's bilious turn as a barking, greedy trader, and one of Wendy Hiller's rare film appearances: impossibly touching, in what could have been a hackneyed part, as the unhappily-married woman looking to trade in one bastard for another. Strange, then, that Reed sometimes gets sidetracked with devious George Coulouris (a Mancunian of Greek heritage, wearing a lot of slap) and his band of colonial rebels – a supporting story that's a bit too simplistic to really engage. This Conrad adaptation is a film of rough edges and odd diversions, but it's very interesting, and at it's best, it's just great.
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