No major spoilers here. It's a friggin' zombie film!
This refreshing Cuban-Spanish zombie comedy will definitely annoy every McDonalds-munching day-dreaming couch-potato Western-Marxist hypocrite, for it does not glorify the mankind-loathing decadence of rabid Communism or its psychopathic coffee-mug iconic perpetrators – as 95% of all movies with a political message do. In fact, JOTD is an obvious bashing of Castro's Cuba and its 60 year-long downward spiral, marked by poverty, misery and brainwashing. Speaking of which, brainwashed liberals/avatards and nerdy left-wing film-students, so spoiled by decades of watching only their political views being represented in movies, will be quite surprised to know that the image of Che Guevara – for once – isn't used on the big-screen to symbolize freedom.
Havana is in the midst of a zombapocalypse, and the tyrannical regime is incompetent to deal with it. What they are marginally successful in is launching a media campaign whose objective is to portray and label the zombies as "imperialist dissidents", part of a US ploy to destroy the country. Hence the word "zombie" is used only once, by the Bible-hugging foreigner; instead, the living dead are referred to jokingly by the survivors as "dissidents". "Forget America, this time we have a real enemy."
Unlike what you'd normally expect from a horror comedy, nearly all of the funny moments are dialog-related. As a result, JOTD has most of its highlights in the first half-hour, much of which isn't dominated by zombies. The second half-hour sees a quality-drop of sorts, since that is when most of the cartoon violence takes place; after all, there are only so many ways in which you can kill a zombie, and the majority of those we've already seen in many other such movies. Although, to be fair, JOTD does provide moments of zombie-slashing/physical originality as well, with some rather fun gore, and can outshine nearly every zombie comedy with ease. The last half-hour is a marked improvement over the middle, with a lot more dialog again, hence more of those wonderful quips by the two male leads.
The characters, even though just part of a silly zombie flick, appear more real than most characters in your typical American dramas. They are not morally perfect; in fact, they have many flaws, and aside from Juan's daughter all of them are a bit dodgy, to put it mildly. This too is a refreshing approach, steering well from the American/British clichés of the morally squeaky-clean (hence absurd/unreal) hero.
Speaking of what's real and what isn't, JOTD has another essential thing going for it: it does NOT look like a modern Western horror film at all. What I mean by this is that JOTD doesn't have that computer-software-ruined mono-colour filtered/plastic downbeat/depressing look that we've been cursed with in the past decade or so when it comes to American, British and French horror films. (Kudos to the rare exceptions.) JOTD looks very refreshingly real, the colours are stark, vivid, vibrant, and most importantly - they are all there: it's not just green or blue or yellow. That way, the movie serves as a nostalgic reminder of what Western horror films (more-or-less) used to look like once upon a time back in the 70s and early 80s, at a time when a movie's look wasn't decided on some idiot's laptop, but by the quality of the cinematographer and the director.
If anyone is worried that a Cuban movie might be a little lacking in the special-effects department, have no fear: the effects are great, as are the distant shots of Havana burning.
The fact that the female cast is both beautiful and sexy (Andrea Duro and Blanca Rosa Blanco) is just the icing on the cake.
Forget "Shaun of the Dead", this is the one to watch.
This refreshing Cuban-Spanish zombie comedy will definitely annoy every McDonalds-munching day-dreaming couch-potato Western-Marxist hypocrite, for it does not glorify the mankind-loathing decadence of rabid Communism or its psychopathic coffee-mug iconic perpetrators – as 95% of all movies with a political message do. In fact, JOTD is an obvious bashing of Castro's Cuba and its 60 year-long downward spiral, marked by poverty, misery and brainwashing. Speaking of which, brainwashed liberals/avatards and nerdy left-wing film-students, so spoiled by decades of watching only their political views being represented in movies, will be quite surprised to know that the image of Che Guevara – for once – isn't used on the big-screen to symbolize freedom.
Havana is in the midst of a zombapocalypse, and the tyrannical regime is incompetent to deal with it. What they are marginally successful in is launching a media campaign whose objective is to portray and label the zombies as "imperialist dissidents", part of a US ploy to destroy the country. Hence the word "zombie" is used only once, by the Bible-hugging foreigner; instead, the living dead are referred to jokingly by the survivors as "dissidents". "Forget America, this time we have a real enemy."
Unlike what you'd normally expect from a horror comedy, nearly all of the funny moments are dialog-related. As a result, JOTD has most of its highlights in the first half-hour, much of which isn't dominated by zombies. The second half-hour sees a quality-drop of sorts, since that is when most of the cartoon violence takes place; after all, there are only so many ways in which you can kill a zombie, and the majority of those we've already seen in many other such movies. Although, to be fair, JOTD does provide moments of zombie-slashing/physical originality as well, with some rather fun gore, and can outshine nearly every zombie comedy with ease. The last half-hour is a marked improvement over the middle, with a lot more dialog again, hence more of those wonderful quips by the two male leads.
The characters, even though just part of a silly zombie flick, appear more real than most characters in your typical American dramas. They are not morally perfect; in fact, they have many flaws, and aside from Juan's daughter all of them are a bit dodgy, to put it mildly. This too is a refreshing approach, steering well from the American/British clichés of the morally squeaky-clean (hence absurd/unreal) hero.
Speaking of what's real and what isn't, JOTD has another essential thing going for it: it does NOT look like a modern Western horror film at all. What I mean by this is that JOTD doesn't have that computer-software-ruined mono-colour filtered/plastic downbeat/depressing look that we've been cursed with in the past decade or so when it comes to American, British and French horror films. (Kudos to the rare exceptions.) JOTD looks very refreshingly real, the colours are stark, vivid, vibrant, and most importantly - they are all there: it's not just green or blue or yellow. That way, the movie serves as a nostalgic reminder of what Western horror films (more-or-less) used to look like once upon a time back in the 70s and early 80s, at a time when a movie's look wasn't decided on some idiot's laptop, but by the quality of the cinematographer and the director.
If anyone is worried that a Cuban movie might be a little lacking in the special-effects department, have no fear: the effects are great, as are the distant shots of Havana burning.
The fact that the female cast is both beautiful and sexy (Andrea Duro and Blanca Rosa Blanco) is just the icing on the cake.
Forget "Shaun of the Dead", this is the one to watch.