I don't know if Sandler helped sink this by mere association or what. The humor is broad. The message against prejudice is as heavyhanded as in Brave, but simply blurted out to us. The computer animation is typical, nothing to see—both horror-themed stop motion films of this year trump it with ease. The horror sketchbook feel is much better captured in Frankenweenie, by a filmmaker who actually loves the stuff. ParaNorman has the fancy characters and dazzle for the kids, but offers us a richer, more visual experience on the same subject.
By contrast to those other films that show creators immersed in at least some aspect of their work, this gives the feel of a mass-marketed product—never more obvious than in the songs performed, ranging from punk rock to club music.
The logic here is something for everyone.
By contrast to those other films that show creators immersed in at least some aspect of their work, this gives the feel of a mass-marketed product—never more obvious than in the songs performed, ranging from punk rock to club music.
The logic here is something for everyone.