Don't get me wrong, Emily Blunt seems perfect as the young Queen, her diction exemplary, her poise Regal. As are all the leading players are (not diction, or poise!) very good in their roles from our favourite big and small screen stars - Miranda Richardson, Paul Bettany, Mark Strong, Rupert Friend, Jim Broadbent etc.
There are lots of reviews up here and so I won't want to repeat too much of they say, but somehow, the very high standards of production, often very glossy (and Oscar winner for Costume Design), plus the lush and swelling stereo (surround) sound, take away the tactility of both the subjects and the film itself. Not that I'm necessarily wanting to get back to the VHS quality of 1980s 'costume drama', mind you!
Maybe it's because many of the characters are portrayed as hard-nosed and bitchy, out of date and greedy. This does highlight the romantic side of the film, though, between Victoria and Albert, as they get to know each other, but this takes a good while to reach and isn't as clammily awful as it could have been. Endearing almost, which is a bit distant from the often perceived hardness of the monarch in her more documented reign of later life.
It's entertaining enough with some gorgeous photography of some lovely stately homes and is perfect fodder for a dark early winter's evening. There's no sex or violence, though adults will be in no doubt when those bits take place, hence the PG certificate.
As a history lesson, it's OK, it's never rammed down our throats and if we choose, we can just let it run and simply enjoy the surface sheen. The acting never really is raised beyond what is needed - Jim Broadbent as King William IV shouting very loudly at a huge banquet might be considered as full-bodied acting but it's not necessarily good. The two main players do have their moments but Julian Fellowes' (writer also of Downton Abbey) screenplay is necessarily rather clipped and to the point - I don't think small-talk was the done thing in Victoria's household!
So, good solid entertainment that's good to look at and which should please the Period Drama brigade as well as reaching a wider - and younger, audience. The Sinead O'Connor end titles song is a beautiful and fitting climax that firmly tells us that this film was intended to be a popularist one, which, I think is a good thing.
There are lots of reviews up here and so I won't want to repeat too much of they say, but somehow, the very high standards of production, often very glossy (and Oscar winner for Costume Design), plus the lush and swelling stereo (surround) sound, take away the tactility of both the subjects and the film itself. Not that I'm necessarily wanting to get back to the VHS quality of 1980s 'costume drama', mind you!
Maybe it's because many of the characters are portrayed as hard-nosed and bitchy, out of date and greedy. This does highlight the romantic side of the film, though, between Victoria and Albert, as they get to know each other, but this takes a good while to reach and isn't as clammily awful as it could have been. Endearing almost, which is a bit distant from the often perceived hardness of the monarch in her more documented reign of later life.
It's entertaining enough with some gorgeous photography of some lovely stately homes and is perfect fodder for a dark early winter's evening. There's no sex or violence, though adults will be in no doubt when those bits take place, hence the PG certificate.
As a history lesson, it's OK, it's never rammed down our throats and if we choose, we can just let it run and simply enjoy the surface sheen. The acting never really is raised beyond what is needed - Jim Broadbent as King William IV shouting very loudly at a huge banquet might be considered as full-bodied acting but it's not necessarily good. The two main players do have their moments but Julian Fellowes' (writer also of Downton Abbey) screenplay is necessarily rather clipped and to the point - I don't think small-talk was the done thing in Victoria's household!
So, good solid entertainment that's good to look at and which should please the Period Drama brigade as well as reaching a wider - and younger, audience. The Sinead O'Connor end titles song is a beautiful and fitting climax that firmly tells us that this film was intended to be a popularist one, which, I think is a good thing.