Having an upper hand on the film's story being happily ending, Affleck has proved once again that his directorial capabilities are arguably one of the best this time. The backbone of the film is its ultimately thrilling story combined with a very powerful editing.
The story adapted from a real incident where CIA gets out some people from Iran during crisis time is nothing new but how they did it is what makes the film so special. The film takes enough time to establish itself, so that we slowly dive into the situation mentally. Than in the second part they devise a plan to rescue all of them which looks stupid at the first thought coz it injects an abruptness in the thoughts of the audience as the story which was serious till this time has suddenly gone funny. But it is this part which makes the film different from all those different extraction films where they go the hostage place, fire some shots and rescue. This film on the other hand rarely has the firing and the protagonist who saves them all never ever fires any shot in the entire film. The film becomes a black comedy during the part when they are planning how to rescue.
The transition from here to the last part i.e. where the rescue operation had to take place, is smooth and engaging. You move from being in a funny state to again a serious and thrilling part of the story. A very important aspect of this film is its editing. The way that the parallel edits engage you into two places and keep you excited everywhere is difficult to achieve but it is there. The use of TV footages of those times was good and pushes the film more towards a real feel. The starting narration sequence was very good where you are taken from a long time back history to 1979 and then just after that you show the present 1979. The acting performances by all the cast was amazing and every possible thing in a filmmaking, contributes towards the last 20 minutes of the film which keeps you on the edge of your seats and finally you want to clap.
The film's screenplay and direction is amazing and that gives the film a sure watch signal. Argo f**k yourself.
MESSAGE: 'You have to be decisive.'
VERDICT: 'Do not miss this one.'
The story adapted from a real incident where CIA gets out some people from Iran during crisis time is nothing new but how they did it is what makes the film so special. The film takes enough time to establish itself, so that we slowly dive into the situation mentally. Than in the second part they devise a plan to rescue all of them which looks stupid at the first thought coz it injects an abruptness in the thoughts of the audience as the story which was serious till this time has suddenly gone funny. But it is this part which makes the film different from all those different extraction films where they go the hostage place, fire some shots and rescue. This film on the other hand rarely has the firing and the protagonist who saves them all never ever fires any shot in the entire film. The film becomes a black comedy during the part when they are planning how to rescue.
The transition from here to the last part i.e. where the rescue operation had to take place, is smooth and engaging. You move from being in a funny state to again a serious and thrilling part of the story. A very important aspect of this film is its editing. The way that the parallel edits engage you into two places and keep you excited everywhere is difficult to achieve but it is there. The use of TV footages of those times was good and pushes the film more towards a real feel. The starting narration sequence was very good where you are taken from a long time back history to 1979 and then just after that you show the present 1979. The acting performances by all the cast was amazing and every possible thing in a filmmaking, contributes towards the last 20 minutes of the film which keeps you on the edge of your seats and finally you want to clap.
The film's screenplay and direction is amazing and that gives the film a sure watch signal. Argo f**k yourself.
MESSAGE: 'You have to be decisive.'
VERDICT: 'Do not miss this one.'