I'm not English, male, or gay, so I probably missed some subtle points in this film, but I liked it a good deal. (Seven is a good rating for me, and this almost qualifies for an eight.)
The story of two new lovers getting to know each other after a drunken one-night stand is touching and revealing of the workings of the human heart. Not-quite-closeted shy Russell and in-your-face Glen are complex characters who change in the weekend they get together. Talking about points of disagreement helps each understand more about what they really feel about various issues. I felt the filmmaker captured what it is to be a real person having real discovery-type conversations. (I had a quick flash of Before Sunrise, when that film worked for me.)
The lovemaking scenes are indeed lovemaking. I was bothered by Brokeback Mountain's because the sex in it seemed so brutal (and I thought more than once "and that doesn't equal love; I'm unconvinced these two are in love at all"); but here, I felt I was witnessing two sane (or as sane as most of us are), healthy men interacting sensually and falling for each other, the sex being part of the increased tenderness and vulnerability between them. I mused on who would find it comfortable/uncomfortable to watch, and I wish I could tell people via this review if they could bear watching the two more explicit scenes or not. Probably if you're willing to watch this film at all, knowing the subject matter in advance, you'll be okay with the level of detail in the sex scenes. There are many moments not sexual which are more intimate and moving. Smart writing in those post-sex intimacies that comprise the bulk of the film.
I also liked the framing of many shots, particularly of Russell in his solitary moments, as the framing told the story of his alienation so clearly. (At one point I flashed on Jim Jarmusch--if someone gave him some color stock, it could have been a Jarmusch moment.) I particularly liked the insert of a scanning surveillance camera, as it heightened the sense that Russell is always aware of and reacting to the panopticon of homophobia all the time. Again, I thought, there is real intelligence in this filmmaking.
A smart, authentic, artistically done film, a terrific addition to the list of thoughtful, small/focused relationship films.
The story of two new lovers getting to know each other after a drunken one-night stand is touching and revealing of the workings of the human heart. Not-quite-closeted shy Russell and in-your-face Glen are complex characters who change in the weekend they get together. Talking about points of disagreement helps each understand more about what they really feel about various issues. I felt the filmmaker captured what it is to be a real person having real discovery-type conversations. (I had a quick flash of Before Sunrise, when that film worked for me.)
The lovemaking scenes are indeed lovemaking. I was bothered by Brokeback Mountain's because the sex in it seemed so brutal (and I thought more than once "and that doesn't equal love; I'm unconvinced these two are in love at all"); but here, I felt I was witnessing two sane (or as sane as most of us are), healthy men interacting sensually and falling for each other, the sex being part of the increased tenderness and vulnerability between them. I mused on who would find it comfortable/uncomfortable to watch, and I wish I could tell people via this review if they could bear watching the two more explicit scenes or not. Probably if you're willing to watch this film at all, knowing the subject matter in advance, you'll be okay with the level of detail in the sex scenes. There are many moments not sexual which are more intimate and moving. Smart writing in those post-sex intimacies that comprise the bulk of the film.
I also liked the framing of many shots, particularly of Russell in his solitary moments, as the framing told the story of his alienation so clearly. (At one point I flashed on Jim Jarmusch--if someone gave him some color stock, it could have been a Jarmusch moment.) I particularly liked the insert of a scanning surveillance camera, as it heightened the sense that Russell is always aware of and reacting to the panopticon of homophobia all the time. Again, I thought, there is real intelligence in this filmmaking.
A smart, authentic, artistically done film, a terrific addition to the list of thoughtful, small/focused relationship films.