3/10
Sometimes dreams really don't come true
15 March 2013
Warning: Spoilers
***This review may contain spoilers************************** Quickly recapping the 1939 classic: A true wonder of film, utilizing gritty realism and fantastical surrealistic innovation to deliver a charming and timeless parable of self-acceptance and gratitude. The songs, the casting, the seamless yet unworldly story arc magically combine psychoanalytic and sociological themes, not to mentioned thinly- veiled drug references coming together so perfectly that it would appear that the chance to attempt this quasi prequel in this day and age was too great a challenge to turn down for this director. Unfortunately due to several flaws it falls flat like a house on a witch. Firstly, Franco- just awful, I'm sorry, he may be a smart kid and a good actor but he isn't able to pull off the con-man who finds he has a heart called for here. Trivia claims Depp and Downey turned the role down. The former, maybe, the later quite possibly could have made a significant difference here. Secondly, Kunis. I'm sorry but I COD't get the image of Meg as the giant moon-worm out of my head as she screamed on so, ugh! and finally, I am left with an inability to connect this particular premise with the classic, which began and ended in a reality with a coma-induced delerium used to bring together all the dots. Kudos to Weisz and Williams, fine acting in what is essentially a fun kidflick.
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