She is Barbara Stanwyck, the hot-blooded and high maintenance wife of oil rig baron Anthony Quinn, as well as former lover of Gary Cooper, and she is desperate to get rid of a husband she hates and get back a former lover who makes her oil crude. Stanwyck's characters has never been someone you'd see grocery shopping (unless she was plotting a murder with Fred MacMurray) or attending social functions, but here, she is aging but still very much on the prowl. She's definitely a cougar, and while her prey may not be a young buck, she's roaring loudly with desire. Cooper, though, isn't buying her brand of spitfire anymore, and is now ready to settle for the sultriness of Ava Gardner look-alike Ruth Roman who purrs her lines like a kitten compared to Stanwyck's raspy and claw-clad alley cat. Quinn, too, underestimates his wife's hatred, finding out the hard way her real desires.
This is the third variation of this story at Warner Brothers-1935's "Bordertown" and 1940's "They Drive By Night", all told extremely similar stories with different professions for the hero and equally wild leading ladies in the Stanwyck role: Bette Davis ("Bordertown") and Ida Lupino ("They Drive By Night") both got to be dames to be reckoned with. Roman takes on the Margaret Lindsay and Ann Sheridan roles with Cooper replacing Paul Muni and George Raft, Quinn taking over for Eugene Palette and Alan Hale.
An unusually large over abundance of music dominates this version, including a theme song ("Marina Mine") sung by Frankie Laine, obviously influenced by his hit recording of "Do Not Forsake Me", the theme from Cooper's Oscar Winning success "High Noon" the previous year. Quinn's seemingly macho coward fights cowardice as a result of harassment from Mexican bandits, seen at the start of the film attempting to rob Cooper with stereotypical racist dialog. Ward Bond gives a sympathetic performance as Cooper's mentor. While the romance may focus on Cooper and Roman, it is Stanwyck who dominates the film. She may be melodramatic, but she's somebody you'll never forget.
This is the third variation of this story at Warner Brothers-1935's "Bordertown" and 1940's "They Drive By Night", all told extremely similar stories with different professions for the hero and equally wild leading ladies in the Stanwyck role: Bette Davis ("Bordertown") and Ida Lupino ("They Drive By Night") both got to be dames to be reckoned with. Roman takes on the Margaret Lindsay and Ann Sheridan roles with Cooper replacing Paul Muni and George Raft, Quinn taking over for Eugene Palette and Alan Hale.
An unusually large over abundance of music dominates this version, including a theme song ("Marina Mine") sung by Frankie Laine, obviously influenced by his hit recording of "Do Not Forsake Me", the theme from Cooper's Oscar Winning success "High Noon" the previous year. Quinn's seemingly macho coward fights cowardice as a result of harassment from Mexican bandits, seen at the start of the film attempting to rob Cooper with stereotypical racist dialog. Ward Bond gives a sympathetic performance as Cooper's mentor. While the romance may focus on Cooper and Roman, it is Stanwyck who dominates the film. She may be melodramatic, but she's somebody you'll never forget.