World War II is over, and the Allies set about cleaning up and helping rebuild Europe. The Allies' most famous battle leader, General George S. Patton, continues to alienate the Russians and doesn't like attending to civil formalities of state. So, he gets canned by Eisenhower and is ordered back to the States. But during all this time, some $250 million in Third Reich gold had been discovered and then went missing. Patton launches his own effort to find the thieves and retrieve the gold.
This story line has all the makings of a good action-thriller, and "Brass Target" doesn't disappoint. It has a solid plot – with much conjecture and fiction built around and woven through the real details of Patton's last months. The script is very good for a cast that delivers. There's just enough intrigue to keep us guessing from one scene to the next, as culprits come to light one by one. But amidst this, the one big theme develops – with the hiring of a top assassin to eliminate Patton. There's much more to this, and part of the intrigue for the viewer is wondering what next step in his plan the assassin will lay out and expose to the audience.
George Kennedy is excellent as Patton, and Robert Vaughn turns in a first-rate performance in his role. John Cassavetes does justice as the top intelligence officer digging into the theft. Sophia Loren and Patrick McGoohan give very good performances. And the consummate cool and calculating Max von Sydow excels in the type of role he has played before.
Some comments I've seen about the film are disparaging because of the fictitious plot. But that's precisely what makes it a movie different from the account of Patton's accidental death otherwise. If people don't like fiction in film, they can avoid movies purposely built around fictitious aspects. Come to think of it, they should probably stop watching all movies. But the rest of us can sit back and really enjoy films like this.
This story line has all the makings of a good action-thriller, and "Brass Target" doesn't disappoint. It has a solid plot – with much conjecture and fiction built around and woven through the real details of Patton's last months. The script is very good for a cast that delivers. There's just enough intrigue to keep us guessing from one scene to the next, as culprits come to light one by one. But amidst this, the one big theme develops – with the hiring of a top assassin to eliminate Patton. There's much more to this, and part of the intrigue for the viewer is wondering what next step in his plan the assassin will lay out and expose to the audience.
George Kennedy is excellent as Patton, and Robert Vaughn turns in a first-rate performance in his role. John Cassavetes does justice as the top intelligence officer digging into the theft. Sophia Loren and Patrick McGoohan give very good performances. And the consummate cool and calculating Max von Sydow excels in the type of role he has played before.
Some comments I've seen about the film are disparaging because of the fictitious plot. But that's precisely what makes it a movie different from the account of Patton's accidental death otherwise. If people don't like fiction in film, they can avoid movies purposely built around fictitious aspects. Come to think of it, they should probably stop watching all movies. But the rest of us can sit back and really enjoy films like this.