Well, since I watched this movie I gave it a couple of days to sink in, that I might not write overly critically of it in the moment. Nothing has changed however. The movie just didn't do it for me.
Not that I was 'offended' by the racism, or depictions of racism, nor of the depictions of virtually all whites with the exception of the doctor protagonist as shallow, hateful and prejudiced. That didn't colour my opinion.
Not that I was offended by the violence and the expected over-the-top gore of a Tarantino work, in fact I laughed at the campy treatment of the lawyer in the big shootout, repeatedly getting unintended hits in the crossfire, spraying gore and howling at each new injury. (kind of sick when you think about it, but I laughed as was intended)
Not that I was bothered by seeing Tarantino in his hubris, again insert his awkward and unconvincing actor self into a cameo role in one of his films, though the cameos would work better if he didn't look so much like a shorter Richard Keil knockoff ('Jaws', of James Bond fame) and stand out so obviously.
The movie was just too damned long and too... boring. The 25 minute long dinner scene for example. Some think it brilliant and if they think so, well and good. But to me it shows a lack of editing. Tarantino must believe so deeply in his own cinematic excellence that he cannot allow what he has deemed should be filmed, to be trimmed. All footage stays in. But that's what editing is for, to keep a scene concise and keep the production from dragging, and folks, a 25 minute dinner scene doesn't build tension the whole time, it drags. Hitchcock would agree. Ditto the handshake scene. "Shake my hand, it's what we do around here." "I won't shake your hand" "Shake my hand" "No, I won't"... on and on. It doesn't build, it drags. By that time the movie is already two and a half hours in and desperately needs to end, and lo and behold here the viewer is treated to a silly protracted argument that could have taken place in any playground, by little kids.
Some epic tales such as Ben Hur are convoluted and involved and they take a long run time to depict on the screen. This is a short simple story that has been drawn out far longer than necessary and longer than it is comfortable to sit through.
If I may employ a metaphor, Tarantino the film maker has always given me the impression of an impulsive adolescent who has taken dad's powerful sports car without permission, and is doing crazy things in it. He does things behind the wheel of that car that others haven't done, that the makers of the car never intended it to do, and people see it and say "WOW, did you see that, that was amazing!". But the more often you see Tarantino drive, the more it becomes apparent that what looked at first to be an astonishingly talented new driver, is in fact just a rather rash and undisciplined driver who is willing to take wild chances. Sometimes the result is brilliant, but things don't always work out for the best on every outing.
This one, Django Unchained, wasn't one of Tarantino's better drives.
Not that I was 'offended' by the racism, or depictions of racism, nor of the depictions of virtually all whites with the exception of the doctor protagonist as shallow, hateful and prejudiced. That didn't colour my opinion.
Not that I was offended by the violence and the expected over-the-top gore of a Tarantino work, in fact I laughed at the campy treatment of the lawyer in the big shootout, repeatedly getting unintended hits in the crossfire, spraying gore and howling at each new injury. (kind of sick when you think about it, but I laughed as was intended)
Not that I was bothered by seeing Tarantino in his hubris, again insert his awkward and unconvincing actor self into a cameo role in one of his films, though the cameos would work better if he didn't look so much like a shorter Richard Keil knockoff ('Jaws', of James Bond fame) and stand out so obviously.
The movie was just too damned long and too... boring. The 25 minute long dinner scene for example. Some think it brilliant and if they think so, well and good. But to me it shows a lack of editing. Tarantino must believe so deeply in his own cinematic excellence that he cannot allow what he has deemed should be filmed, to be trimmed. All footage stays in. But that's what editing is for, to keep a scene concise and keep the production from dragging, and folks, a 25 minute dinner scene doesn't build tension the whole time, it drags. Hitchcock would agree. Ditto the handshake scene. "Shake my hand, it's what we do around here." "I won't shake your hand" "Shake my hand" "No, I won't"... on and on. It doesn't build, it drags. By that time the movie is already two and a half hours in and desperately needs to end, and lo and behold here the viewer is treated to a silly protracted argument that could have taken place in any playground, by little kids.
Some epic tales such as Ben Hur are convoluted and involved and they take a long run time to depict on the screen. This is a short simple story that has been drawn out far longer than necessary and longer than it is comfortable to sit through.
If I may employ a metaphor, Tarantino the film maker has always given me the impression of an impulsive adolescent who has taken dad's powerful sports car without permission, and is doing crazy things in it. He does things behind the wheel of that car that others haven't done, that the makers of the car never intended it to do, and people see it and say "WOW, did you see that, that was amazing!". But the more often you see Tarantino drive, the more it becomes apparent that what looked at first to be an astonishingly talented new driver, is in fact just a rather rash and undisciplined driver who is willing to take wild chances. Sometimes the result is brilliant, but things don't always work out for the best on every outing.
This one, Django Unchained, wasn't one of Tarantino's better drives.