It's hard to live up to one's tagline, especially when it's screaming the words "most terrifying", because it's building expectations sky high, only for it to come out a little bit underwhelming, despite having cult classic pedigree backing it. Evil Dead is that continuation of the Sam Raimi Evil Dead films that had Bruce Campbell in the starring role, but this installment is all seriousness without the camp, which made it a little bit dreadful to sit through, and an exercise in excessiveness.
With the slew of horror and slasher films trying to out-gore one another, a plateau has been reached as to how many times something can be dismembered on screen, full on view, without the need to cut away for decency. Then comes the gushing of copious amounts of blood fit for vampires partaking in their own version of Oktoberfest. There's a limit to how much is enough, though that limit has constantly been pushed further and further away, that it's probably not far fetched to start pondering about how much more the envelope can get pushed, before enough is enough. When one's desensitized, the ability of shock-and-awe diminishes, and the obsession to drape everything in blood isn't really healthy.
But I digress. Credit has to go where credit is due, and the entire make up department deserves that pat on the back for making its main cast of five look grotesque when they needed to be, given that the Book of the DeadXX has unleashed a demon amongst the midst of five young adults, who are assembled in an isolated cabin in the woods to assist one of them, Mia (Jane Levy), to kick her drug habit. This in itself is a smart premise, because when Mia experiences spooky occurrences, it could be brushed aside and treated as just another side effect, until of course it's too late. Iconic scenes do not get replaced, so when Mia issues her threats while under possession, you'd know just what to expect.
The body count's pretty low here for obvious reasons there are only a handful of characters, but there were some nifty moments to ensure some of them got recycled as part of the plot. There's possessions and mind control, coupled with characters who can take a lot of punishment given the slew of weaponry being targeted at them, from chain saws to machetes to a nail gun. It has everything including the kitchen sink, and everything and anything can be used as fair game to stop the madness from decaying from within each of the characters.
As an expansion to the Evil Dead franchise, this has set itself up pretty neatly for future installments for this component, and the established mythos, to collide some time in the future. The soul, erm, sole redeeming factor here will be the finale, with Fede Alvarez crafting what would be an excellent scene of Man vs Monster that would be a no brainer as the poster-child of the movie, and one that's most memorable. It's a pity it had to plod along to get to the best part.
With the slew of horror and slasher films trying to out-gore one another, a plateau has been reached as to how many times something can be dismembered on screen, full on view, without the need to cut away for decency. Then comes the gushing of copious amounts of blood fit for vampires partaking in their own version of Oktoberfest. There's a limit to how much is enough, though that limit has constantly been pushed further and further away, that it's probably not far fetched to start pondering about how much more the envelope can get pushed, before enough is enough. When one's desensitized, the ability of shock-and-awe diminishes, and the obsession to drape everything in blood isn't really healthy.
But I digress. Credit has to go where credit is due, and the entire make up department deserves that pat on the back for making its main cast of five look grotesque when they needed to be, given that the Book of the DeadXX has unleashed a demon amongst the midst of five young adults, who are assembled in an isolated cabin in the woods to assist one of them, Mia (Jane Levy), to kick her drug habit. This in itself is a smart premise, because when Mia experiences spooky occurrences, it could be brushed aside and treated as just another side effect, until of course it's too late. Iconic scenes do not get replaced, so when Mia issues her threats while under possession, you'd know just what to expect.
The body count's pretty low here for obvious reasons there are only a handful of characters, but there were some nifty moments to ensure some of them got recycled as part of the plot. There's possessions and mind control, coupled with characters who can take a lot of punishment given the slew of weaponry being targeted at them, from chain saws to machetes to a nail gun. It has everything including the kitchen sink, and everything and anything can be used as fair game to stop the madness from decaying from within each of the characters.
As an expansion to the Evil Dead franchise, this has set itself up pretty neatly for future installments for this component, and the established mythos, to collide some time in the future. The soul, erm, sole redeeming factor here will be the finale, with Fede Alvarez crafting what would be an excellent scene of Man vs Monster that would be a no brainer as the poster-child of the movie, and one that's most memorable. It's a pity it had to plod along to get to the best part.