As far as the script for this ode to classical music goes it includes absolutely nothing you haven't seen before but it's presented with that inimitable MGM sheen.
Made during that period when Elizabeth Taylor was at the very apex of her beauty she captivates as she drips in jewels and beautiful gowns in dazzling Technicolor. She's hard to pull your eyes from but she is teamed with two men, Vittorio Gassman and John Ericson, who are almost as beautiful as she. Excepting Louis Calhern who is just right as Liz's bon vivant father, the supporting cast blends into the woodwork.
It's the music that matters and makes this picture however. Some of it is absurdly staged, i.e. the spontaneous performance of an entire violin symphony in a small restaurant, but what can you expect from a romantic drama in the 50's. Mostly though the music is played full out in the proper settings and is glorious and well worth muddling through the somewhat turgid proceedings that surround it.
Made during that period when Elizabeth Taylor was at the very apex of her beauty she captivates as she drips in jewels and beautiful gowns in dazzling Technicolor. She's hard to pull your eyes from but she is teamed with two men, Vittorio Gassman and John Ericson, who are almost as beautiful as she. Excepting Louis Calhern who is just right as Liz's bon vivant father, the supporting cast blends into the woodwork.
It's the music that matters and makes this picture however. Some of it is absurdly staged, i.e. the spontaneous performance of an entire violin symphony in a small restaurant, but what can you expect from a romantic drama in the 50's. Mostly though the music is played full out in the proper settings and is glorious and well worth muddling through the somewhat turgid proceedings that surround it.