9/10
The Ship of Theseus is a painstakingly dialectical observation of the transient human forms journeying in the sphere of reality.
28 July 2013
The Ship of Theseus is a painstakingly dialectical observation of the transient human forms journeying in the sphere of reality. It examines the paradoxes in arguments about human beliefs, values and ideologies, exploring through the cave of space and time to find answers in the arcane light of truth. The film is deep, sometimes dense enough to put you into a storm of confusion, yet its mysterious powers to stimulate your mind into questioning the basis of existence is nevertheless a remarkable feat for writer-director Anand Gandhi. It's all the more astonishing to know that Ship of Theseus is Gandhi's debut feature film, and wait it you hear the biggest shocker – this work comes from the same man who began the incredibly contrived 'evil mother-in-law vs. saintly daughter-in-law' tradition in Indian television soaps such as 'Kyuunki Saas Bhi Kabhi Bahu Thi (Because the mother-in-law was once a daughter- in-law herself)' and 'Kahaani Ghar Ghar Kii (Story of Every Home)' more than a decade ago.

This man has completed his journey, his eight-year pilgrimage at last (he conceived his idea in 2005, after making two short films 'Right Here Right Now' in 2003 and 'Continuum' in 2005) and he has found some answers, which he brings to the world in the form of Ship of Theseus. His search is probably still on, yet this film is as good as it gets.

Anand Gandhi captains his Titanic Ship along its course, and it remains totally unhampered by any stupid icebergs. The easy way to look at this movie is that it's about organ donation, but on closer look, you'll see the theme of 'reconfiguration of human psyche by external forces' shining through. The film's structure is so massive, it's themes so multitudinous, that you don't feel sure at times whether you are moving in the direction the film intends you to move. My advice for those who can't understand everything would be to leave it to God and just understand what's easier for your mind to comprehend. Subsequent viewings will reveal further answers.

The cinematography by Pankaj Kumar is extremely fluid, and Gandhi allows the camera to remain static over long periods of time. That's where our actors, Aida El-Kashef, Neeraj Kabi and Sohum Shah (also the producer), do all the excellent visual communication, bringing an emotional intensity which gives these philosophical concepts a simpler, human form of expression. There's some powerful imagery here that draws our focus to the grand scheme of things. We begin to question ourselves then, wondering "God knows why…?". Our journey begins.

For the full review, go to http://sashankkini.wordpress.com/
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