"Girl 27" is a fascinating story of Hollywood history and the workings of the studios. The studios owned Hollywood: the police, the DA, all the way up. The movie magazines were studio organs. They had private hospitals, doctors on payroll. Anything could be hidden.
Patricia Douglas was a young girl working in Hollywood as a dancer. "I moved like J.Lo" she tells the interviewer, David Stenn. One day she and some other women were asked to report to what they believed to be a film set, and they were sent to Western Costume to get costumes. When they arrived on the "set," it was a convention on a farm for MGM salespeople. Patricia Douglas was raped by one of them in a field. It was hushed up, and the doctor, under MGM's influence, put in her record that she had been treated for VD.
Patricia attempted to sue but lost, so she took it to Federal Court. MGM bribed her mother and lawyer to make the case go away, and they did. The lawyer never showed up in court any time the case was called. Her mother got a liquor store out of it.
At the time of the documentary, Patricia Douglas was 84, living alone in Las Vegas, when she was found by writer-producer Stenn. At first he spoke with her on the phone - she would say so much and then hang up abruptly. Finally she agreed to meet him and tell her story.
There have been many complaints about Stenn's presence in this film. I used to work for David Stenn. When he says he loves Patricia Douglas, he's not playing nice to get the story at all. He's not that kind of person. As for his presence in the film, she would only talk to him, so he was stuck there - yes, he could have cut himself out. In the beginning, I think he had to lay the foundation as he did - he is a film historian, an expert on MGM and that era. Did he have to mention Jackie Onassis? Probably not, but I think it made his credentials all the more impressive.
There's nothing uncommon in a documentary about looking at records and having someone go over them with you. So maybe in total, five minutes of Stenn could have been cut. I do not think he took away from this woman's agonizing story.
Not only is this a searing documentary about the machinations of MGM and Mayer, it is such a sad commentary on the time during which Patricia Douglas was young. Families swept incidents such as rape under the rug. There was no place she could go for help. She was never able to move on. It ruined her life. She said she was frigid. She was married three times; she wanted a child desperately to love and be loved, yet she gave the child to someone else to raise. She couldn't get too close to anyone.
Her beautiful daughter tells a sad story about their relationship or lack of it. Patricia never told anyone what had happened to her. When the story broke in Vanity Fair, she told her mother that she was so incredibly proud of her. And her mother said nothing.
It's such a tragic account, it breaks your heart. An entire live ruined. Patricia could have tried to move on, but how does one do that when violated and no one acknowledges it? When everyone expects you to act as if nothing's wrong? The studio heads were sleazes. When I interviewed actress Rita Gam, an incredibly beautiful woman even today, she said she received many offers from Hollywood. But she smartly waited until she was offered a contract for $1250 a week. Why? Because if you made less than that, she said, you were part of the "visiting firemen" circuit, in other words, a prostitute. Starlets were expected to sleep with men for jobs, and at the behest of the studio. Even Rita Hayworth's husband tried to pimp her out to Harry Cohn.
I think the story overrides David Stenn's presence in the film, which some find offensive. Personally I didn't mind it. I loved the film clips that were interjected. A nice touch to a horrible story.
Patricia Douglas was a young girl working in Hollywood as a dancer. "I moved like J.Lo" she tells the interviewer, David Stenn. One day she and some other women were asked to report to what they believed to be a film set, and they were sent to Western Costume to get costumes. When they arrived on the "set," it was a convention on a farm for MGM salespeople. Patricia Douglas was raped by one of them in a field. It was hushed up, and the doctor, under MGM's influence, put in her record that she had been treated for VD.
Patricia attempted to sue but lost, so she took it to Federal Court. MGM bribed her mother and lawyer to make the case go away, and they did. The lawyer never showed up in court any time the case was called. Her mother got a liquor store out of it.
At the time of the documentary, Patricia Douglas was 84, living alone in Las Vegas, when she was found by writer-producer Stenn. At first he spoke with her on the phone - she would say so much and then hang up abruptly. Finally she agreed to meet him and tell her story.
There have been many complaints about Stenn's presence in this film. I used to work for David Stenn. When he says he loves Patricia Douglas, he's not playing nice to get the story at all. He's not that kind of person. As for his presence in the film, she would only talk to him, so he was stuck there - yes, he could have cut himself out. In the beginning, I think he had to lay the foundation as he did - he is a film historian, an expert on MGM and that era. Did he have to mention Jackie Onassis? Probably not, but I think it made his credentials all the more impressive.
There's nothing uncommon in a documentary about looking at records and having someone go over them with you. So maybe in total, five minutes of Stenn could have been cut. I do not think he took away from this woman's agonizing story.
Not only is this a searing documentary about the machinations of MGM and Mayer, it is such a sad commentary on the time during which Patricia Douglas was young. Families swept incidents such as rape under the rug. There was no place she could go for help. She was never able to move on. It ruined her life. She said she was frigid. She was married three times; she wanted a child desperately to love and be loved, yet she gave the child to someone else to raise. She couldn't get too close to anyone.
Her beautiful daughter tells a sad story about their relationship or lack of it. Patricia never told anyone what had happened to her. When the story broke in Vanity Fair, she told her mother that she was so incredibly proud of her. And her mother said nothing.
It's such a tragic account, it breaks your heart. An entire live ruined. Patricia could have tried to move on, but how does one do that when violated and no one acknowledges it? When everyone expects you to act as if nothing's wrong? The studio heads were sleazes. When I interviewed actress Rita Gam, an incredibly beautiful woman even today, she said she received many offers from Hollywood. But she smartly waited until she was offered a contract for $1250 a week. Why? Because if you made less than that, she said, you were part of the "visiting firemen" circuit, in other words, a prostitute. Starlets were expected to sleep with men for jobs, and at the behest of the studio. Even Rita Hayworth's husband tried to pimp her out to Harry Cohn.
I think the story overrides David Stenn's presence in the film, which some find offensive. Personally I didn't mind it. I loved the film clips that were interjected. A nice touch to a horrible story.