Despite the comic-book style editing and the way the film skips from one scene to the next with the aid of animated borders, ANGEL OF DEATH is really nothing more than yet another story about a female assassin out for revenge. It goes for a gritty, SIN CITY style moody look, but to be honest this has all been done so many times before that it feels rather passe.
ANGEL OF DEATH features stunt-woman turned actress Zoe Bell (DEATH PROOF) as a professional assassin who's out for revenge against the people who betrayed her. Along the way, she suffers the effects of a traumatic wound, as well as fighting her own conscience. The plot is light and the script lighter, as this is merely an excuse to string together a series of hard-hitting fight sequences.
The good news is that the fights are well staged, thankfully avoiding the dodgy shaky-cam work often used these days; they're also pleasingly violent. However, that's pretty much the only decent thing about ANGEL OF DEATH. The script is sub-par, the direction tries too hard to be atmospheric, and Bell just doesn't cut it as a leading actress. The producers win points for casting some B-movie favourites such as Lucy Lawless (SPARTACUS), Doug Jones (PAN'S LABYRINTH) and Ted Raimi (DARKMAN), but it's not enough to make this a good movie.
ANGEL OF DEATH features stunt-woman turned actress Zoe Bell (DEATH PROOF) as a professional assassin who's out for revenge against the people who betrayed her. Along the way, she suffers the effects of a traumatic wound, as well as fighting her own conscience. The plot is light and the script lighter, as this is merely an excuse to string together a series of hard-hitting fight sequences.
The good news is that the fights are well staged, thankfully avoiding the dodgy shaky-cam work often used these days; they're also pleasingly violent. However, that's pretty much the only decent thing about ANGEL OF DEATH. The script is sub-par, the direction tries too hard to be atmospheric, and Bell just doesn't cut it as a leading actress. The producers win points for casting some B-movie favourites such as Lucy Lawless (SPARTACUS), Doug Jones (PAN'S LABYRINTH) and Ted Raimi (DARKMAN), but it's not enough to make this a good movie.