To call "Doll Face" dated would be an understatement. First of all, it deals with burlesque. Secondly, Dennis O'Keefe recommends hitting women to keep them in line. And third, and most egregious, lyrics of one song celebrate the bombing the Japanese.
Vivian Blaine, called Doll Face, real name Mary Elizabeth, plays a queen of burlesque who auditions for a Broadway musical, only to be recognized by one of her patrons. Though she's a lovely singer, she's rejected for the show because the producers don't feel she has enough class for their production. Nowadays they would put a chimpanzee in a Broadway musical if they thought he could make money, so there's another indication that this is an old movie.
Her boyfriend (O'Keefe) decides she should ghost-write her autobiography and, after using a lot of high-faluting language, she'll be classy enough for Broadway. The man he hires, however (Michael Dunne), becomes interested in Doll Face, and not just as a client. Problems ensue.
For me, this film was interesting because of the presence of a very young, extremely adorable Perry Como. I grew up with him, every Saturday night, and it was a delight to see him and hear him sing. He had a beautiful voice, singing "Red, Hot, and Beautiful," "Here Comes Heaven Again," and "Dig You Later." Martha Stewart, a vivacious performer, did an energetic job as someone wanting to take Doll Face's place. And Carmen Miranda was...Carmen Miranda, singing "Chico Chico."
There were lots of numbers in this film and not much story. The music was by Jimmy McHugh and Harold Adamson and was pleasant. It was just hard to get past extolling domestic abuse and bombing innocent people. Don't get me wrong. The Japanese government was very aggressive against the U.S., and what they did in China was atrocious. But that was their government, and not its citizens, who were told Japan was winning. The bombing remains controversial. And it doesn't belong in a song.
Vivian Blaine, called Doll Face, real name Mary Elizabeth, plays a queen of burlesque who auditions for a Broadway musical, only to be recognized by one of her patrons. Though she's a lovely singer, she's rejected for the show because the producers don't feel she has enough class for their production. Nowadays they would put a chimpanzee in a Broadway musical if they thought he could make money, so there's another indication that this is an old movie.
Her boyfriend (O'Keefe) decides she should ghost-write her autobiography and, after using a lot of high-faluting language, she'll be classy enough for Broadway. The man he hires, however (Michael Dunne), becomes interested in Doll Face, and not just as a client. Problems ensue.
For me, this film was interesting because of the presence of a very young, extremely adorable Perry Como. I grew up with him, every Saturday night, and it was a delight to see him and hear him sing. He had a beautiful voice, singing "Red, Hot, and Beautiful," "Here Comes Heaven Again," and "Dig You Later." Martha Stewart, a vivacious performer, did an energetic job as someone wanting to take Doll Face's place. And Carmen Miranda was...Carmen Miranda, singing "Chico Chico."
There were lots of numbers in this film and not much story. The music was by Jimmy McHugh and Harold Adamson and was pleasant. It was just hard to get past extolling domestic abuse and bombing innocent people. Don't get me wrong. The Japanese government was very aggressive against the U.S., and what they did in China was atrocious. But that was their government, and not its citizens, who were told Japan was winning. The bombing remains controversial. And it doesn't belong in a song.