This is heavy-handed zero-intelligence propaganda promoting minority racial supremacy and cultural destabilization. Virginie Ledoyen really slums it here for social justice, playing white trash knocked up by her morally superior Arab lover. She breaks the law and ends up in a cell next to one of his lovable friends who is of course innocent. White men make appearances as petty capitalists and as trollish cops, it's clear they are genetically inferior and obsolete Neanderthals compared to the good-natured, strong, and more capable brown immigrants. Hard to believe that the director of Mesrine made this revolting film, I'd like to believe it was parody, but it looks more like he was establishing "alternative" street cred and gaining favor with the socialist elite. Still, such idiocy is its own parody.
Review of De l'amour
