THIS IS A REVIEW OF THE INTERNATIONAL CUT, NOT THE 'HARVEY WEINSTEIN' American VERSION:
It was finally time for the great iconoclastic Hong Kong director to turn to martial arts in his intense and atmospheric telling of the great grandmaster teacher, Ip man, and he doesn't disappoint.
Wong Kar-wai brings the poetic beauty of his "In the Mood for Love" to this Chinese action genre and executes it with a precise rhythmic heightening reminiscent of Sam Peckinpah at his best, while bringing out the experience of living through the Japanese invasion of China during WWII.
The cast is magnificent, especially Tony Leung as the Ip man and Ziyi Zhang as Gong Er who perfectly embodies a kung-fu mistress trying to avenge her father.
A Wong masterpiece to put on a level with his finest work!
PS: One particular reviewer earlier criticized the editing of this film which, to me, smacks of putting down the film for not being more conventional. Sometimes it is difficult to put aside expectations of what one wants a film to be in favor of what the actual film on the screen is. "The Grandmaster" is, in fact, brilliantly edited. Wong is, if nothing else, a perfectionist in taking years to mold his assembled footage into his own personal rhythmic poem, idiosyncratically emphasizing downbeats and rests as precise as a great composer. What you see here is Wong Kar-wai's personal vision, take it or leave it. I wouldn't change a frame, or a single edit. It strikes me as a perfect diamond by this exceptional, if eccentric, cinema artist.
It was finally time for the great iconoclastic Hong Kong director to turn to martial arts in his intense and atmospheric telling of the great grandmaster teacher, Ip man, and he doesn't disappoint.
Wong Kar-wai brings the poetic beauty of his "In the Mood for Love" to this Chinese action genre and executes it with a precise rhythmic heightening reminiscent of Sam Peckinpah at his best, while bringing out the experience of living through the Japanese invasion of China during WWII.
The cast is magnificent, especially Tony Leung as the Ip man and Ziyi Zhang as Gong Er who perfectly embodies a kung-fu mistress trying to avenge her father.
A Wong masterpiece to put on a level with his finest work!
PS: One particular reviewer earlier criticized the editing of this film which, to me, smacks of putting down the film for not being more conventional. Sometimes it is difficult to put aside expectations of what one wants a film to be in favor of what the actual film on the screen is. "The Grandmaster" is, in fact, brilliantly edited. Wong is, if nothing else, a perfectionist in taking years to mold his assembled footage into his own personal rhythmic poem, idiosyncratically emphasizing downbeats and rests as precise as a great composer. What you see here is Wong Kar-wai's personal vision, take it or leave it. I wouldn't change a frame, or a single edit. It strikes me as a perfect diamond by this exceptional, if eccentric, cinema artist.