Simple, almost documentary style of this film really adds up to realism, as if easily relatable story wasn't realistic enough. Painfully so, for those with similar experiences that had plagued their school years. And those who knew a guy that knew a guy alike...It's very 'dogmatic' in approach, as far as goals, psychological portrayal and cinematography goes.
The opening tricks us into believing Anna's project was a real deal, and only later we get to learn the timeline of events. In fact, apart from the basic premise, whole world of characters opens up slowly, but the pace remains brisk and on point. The Reunion never wanders or drifts off, it stays focused on the protagonist, her project, estranged schoolmates and her adult life as famous artist.
Universal theme of peer violence/bullying and very sharp insight into social hierarchy (especially apparent in its rawest during formative, school years) are nicely captured, however, for those hoping for typical filmsy 'revenge' scenario, this film might seem unsatisfying and anticlimactic. Because it was going for realism, and haven't lost the focus at any time.
Lots of close-ups of the faces during interviews Anna was conducting for the project with her former classmates, lots of awkward dialogues and confrontations. What strikes me is how much people actually change while trying to fit in and fill the adult's shoes. So, instead of being honest and emotionally open - albeit insensitive or cruel while doing so....the former child now adult caters to mentality and cultural patterns fully, becomes hypocritical, polite and nice while basically still shunning and isolating the unpopular people and keeping them out of their inner circle just as before. In much more sophisticated and appropriate manner, cause they learned manners and became civilized adults with little to no recollection of their former selves.
Bullying aside...in such highly civilized society such as this, one has a hard time picturing successful people with developed social skills and even temper, very PC - such as Anna's former classmates - as once primitive bunch who were relentlessly hellbent on humiliating and ostracizing their peer. Oh how much we learn!
Not really, if only how to lie and mask our resentment and hostility better. Basically, how to act appropriately. But basic instincts, goals don't change that much. What does change is execution.
But Anna's film and her 'revenge' unmasks the people and while exorcising her own demons she confronts the culprits subjecting them to long buried picture of themselves and their friends. That's not how they want to see themselves, that is not what they are now, not how they'd like to be remembered. Well, you can'd undo, but can try and fix the past mistakes, if you can face them. If you perceive them as wrongdoings at all. Sometimes I think...we never really leave high school, do we?
The opening tricks us into believing Anna's project was a real deal, and only later we get to learn the timeline of events. In fact, apart from the basic premise, whole world of characters opens up slowly, but the pace remains brisk and on point. The Reunion never wanders or drifts off, it stays focused on the protagonist, her project, estranged schoolmates and her adult life as famous artist.
Universal theme of peer violence/bullying and very sharp insight into social hierarchy (especially apparent in its rawest during formative, school years) are nicely captured, however, for those hoping for typical filmsy 'revenge' scenario, this film might seem unsatisfying and anticlimactic. Because it was going for realism, and haven't lost the focus at any time.
Lots of close-ups of the faces during interviews Anna was conducting for the project with her former classmates, lots of awkward dialogues and confrontations. What strikes me is how much people actually change while trying to fit in and fill the adult's shoes. So, instead of being honest and emotionally open - albeit insensitive or cruel while doing so....the former child now adult caters to mentality and cultural patterns fully, becomes hypocritical, polite and nice while basically still shunning and isolating the unpopular people and keeping them out of their inner circle just as before. In much more sophisticated and appropriate manner, cause they learned manners and became civilized adults with little to no recollection of their former selves.
Bullying aside...in such highly civilized society such as this, one has a hard time picturing successful people with developed social skills and even temper, very PC - such as Anna's former classmates - as once primitive bunch who were relentlessly hellbent on humiliating and ostracizing their peer. Oh how much we learn!
Not really, if only how to lie and mask our resentment and hostility better. Basically, how to act appropriately. But basic instincts, goals don't change that much. What does change is execution.
But Anna's film and her 'revenge' unmasks the people and while exorcising her own demons she confronts the culprits subjecting them to long buried picture of themselves and their friends. That's not how they want to see themselves, that is not what they are now, not how they'd like to be remembered. Well, you can'd undo, but can try and fix the past mistakes, if you can face them. If you perceive them as wrongdoings at all. Sometimes I think...we never really leave high school, do we?